General Leonardo Bibliography - E through K

A-D

L

M-R

S-Z

LdV.org

Eastlake, E. R. (1883). Five great painters, essays reprinted from the Edinburgh and Quarterly Reviews, Longmans. Eastman, F. (1938). Men of power; sixty-minute biographies, Cokesbury Press. Eberlein, K. K. (1943). Leonardo da Vinci, G. Lüttke. Echeverri, A. J. (1963). Mito y realidad en Leonardo de Vincí; discurso pronunciado en la solemni apertura del curso académico de 1963-1964, Universidad de Santiago. Egri, P. (1996). Modern games with Renaissance forms : from Leonardo and Shakespeare to Warhol and Stoppard. Budapest, Akadémiai Kiadó. Eichholz, G. (1998). Das Abendmahl Leonardo da Vincis : eine systematische Bildmonographie. München, Scaneg. Eidgenössische Technische Hochschule. (1954). Leonardo da Vinci als Ingenieur. Zürich, Verlag Industrielle Organisation. Einem, H. v. (1961). Das Abendmahl des Leonardo da Vinci, Westdeutscher Verlag. Eisendle, H. and A. Waldschmidt (1989). Mona Lisa : clamor exitosus [sic] = zermalmendes wehgeschrei. Gifkendorf, Merlin. Eissler, K. R. (1962). Leonardo da Vinci; psychoanalytic notes on the enigma, Hogarth Press. Eissler, K. R. (1980). Léonard de Vinci : étude psychanalytique. Paris, Presses universitaires de France. Eissler, K. R. and P. Cumbers (1992). Leonardo da Vinci : psychoanalytische Notizen zu einem Rätsel. Basel [etc.], Stroemfeld/Roter Stern. Eissler, K. R. and Leonardo (1992). Leonardo da Vinci : psychoanalytische Notizen zu einem Rätsel. Frankfurt am Main, Stroemfeld/R. Stern. Ekelund, M., S. I. Karling, et al. (1971). Sigmund Freuds estetik och en diskussion omkring hans Eine Kindheitserinnerung des Leonardo da Vinci : trebetygsuppsats i konstvetenskap framlagd vid professor Sten Karlings seminarium vid Stockholms universitet vårterminen 1971. [Stockholm, s.n. Ellis, H. W. (1963). The Last Supper; the story of the Leonardo da Vinci masterpiece, The Upper Room. Elmer Belt Library of Vinciana. (1952). Two books from the environment of Leonardo da Vinci. Elmer Belt Library of Vinciana., E. Belt, et al. (1946). The Elmer Belt Library of Vinciana : finding list. [Los Angeles, The Library. Elmer Belt Library of Vinciana., Belt Elmer, et al. (1947). The Elmer Belt Library of Vinciana : finding list. [Los Angeles, The Library. Emboden, W. A. (1973). An extraordinary Renaissance botanist : Leonardo da Vinci. [Los Angeles, University of California Center for Medieval and Renaissance Studies. Emboden, W. A. and Armand Hammer Center for Leonardo Studies at UCLA. (1987). Leonardo da Vinci on plants and gardens. Portland, Or., Dioscorides Press in cooperation with the Armand Hammer Center for Leonardo Studies at UCLA. Emboden, W. A. and C. Pedretti (1987). Leonardo da Vinci on plants and gardens. London, Christopher Helm. Encyclopaedia Britannica Films Inc. (1960). Leonardo da Vinci giant of the Renaissance. Chicago, Encyclopaedia Britannica Films. Aspects of the life and work of Leonardo da Vinci as a painter, sculptor, inventor, and scientist of the Renaissance. Ensemble Claude-Gervaise. (1987). Music in the age of Leonardo da Vinci Musique au temps de Léonard de Vinci. Canada Montréal, Québec Canada, Musica Viva ; distributed by CBC Enterprises. Esche, S. (1954). Leonardo da Vinci, das anatomische Werk. Mit kritischem Katalog, Holbein-Verlag. Esche, S. and L. D. Vinci (1954). Leonardo da Vinci: Das anatomische Werk. Mit kritischem Katalog. Basel, Holbein-Verlag. Esche, S. and Windsor Castle. Royal Library. (1961). Leonardo da Vinci: das anatomische Werke. Mit kritischem Katalog und 175 Abbildungen, F.K.Schattauer. Esche-Braunfels, S. (1954). Leonardo da Vinci; das anatomische Werk, Holbein-Verlag. Esche-Braunfels, S. and Windsor Castle. Royal Library. (1961). Leonardo da Vinci: das antomische Werke. Mit kritischem Katalog und 175 Abbildungen, F.K. Schattauer. Espejo, B. (1967). Breve biografía de Leonardo da Vinci, [Secretaría de Educación Pública Subsecretaría de Asuntos Culturales]. European Commission. and European Commission. Directorate-General XXII Education Training and Youth. (1997). Survey and analysis projects in the Leonardo da Vinci programme : guidelines for prospective promoters. Luxembourg Lanham, MD, Office for Official Publications of the European Communities ; Bernan Associates. European Commission. Directorate-General XXII Education Training and Youth. (1996). Leonardo da Vinci programme : vade-mecum. Luxembourg, Office for Official Publications of the European Communities. European Commission. Directorate-General XXII Education Training and Youth. (1996). Leonardo da Vinci : get moving in Europe, 1995-99. [Luxembourg, Office for Official Publications of the European Communities. European Commission. Directorate-General XXII Education Training and Youth. (1996). Leonardo da Vinci : : action programme for the implementation of a European Community vocational training policy : 1995-99. Luxembourg, Office for Official Publications of the European Communities. European Commission. Directorate-General XXII Education Training and Youth. (1997). Leonardo da Vinci : meeting the training needs of European SMEs. [Luxembourg, Office for Official Publications of the European Communities. European Commission. Directorate-General XXII Education Training and Youth. (1998). Programme Leonardo da Vinci the European Community action programme for cooperation in the field of vocational training (DGXXII). Luxembourg, Office for Official Publications of the European Communities. A searchable database of vocational education and training projects throughout Europe, including, but not limited to, the countries of the European Union. European Commission. Directorate-General XXII Education Training and Youth. (1998). Leonardo da Vinci : vocational training--a precondition for technological and organisational change. Luxembourg Lanham, MD, Office for Official Publications of the European Communities ; Bernan Associates [distributor]. European Commission. Directorate-General XXII Education Training and Youth. (1998). Leonardo da Vinci : analysis of the results of studies on vocational training in Europe : findings of the Comett, Eurotecnet, FORCE, Lingua, and PETRA programmes. Luxembourg Lanham, MD, Office for Official Publications of the European Communities ; Bernan Associates [distributor]. European Commission. Directorate-General XXII Education Training and Youth. and Leonardo da Vinci (Program) (1998). Impact compendium. Luxembourg Lanham, MD, Office for Official Publications of the European Communities ; Bernan Associates [distributor]. European Commission. Directorate-General XXII EducationTraining and Youth. (1998). Leonardo da Vinci : multilingualism in vocational training. Luxembourg, Office for Official Publications of the European Communities. Eyre, J. R. (1923). The two Mona Lisas : which was Giacondo's picture? : ten direct, distinct, and decisive data in favour of the Isleworth version, and some recent Italian expert opinions on it. London, J.M. Ouseley & son ltd. Eyre, J. R. (1924). The two Mona Lisas; which was Giocondo's picture? Ten direct, distinct, and decisive data in favour of the Isleworth version, and some recent Italian expert opinions on it. London, J.M. Ouseley & Son Ltd. Eyre, J. R. and Leonardo (1915). Monograph on Leonardo da Vinci's Mona Lisa. London New York, H. Grevel ; Scribner. Eyre, J. R. and Leonardo (1923). The two Mona Lisas : which was Giocondo's picture? : ten direct, distinct, and decisive data in favour of the Isleworth version, and some recent Italian expert opinions on it. London, J. M. Ouseley & son ltd. F*ul*advand, M. h. M. i. (1373). D*av*inch*i : tabassum-i Zhuk*und. Tihr*an, K*an*un-i Intish*ar*at-i Pay*am-i *Ad*alat. Fabi, M. Our Lord's Last Supper by Leonardo da Vinci : wonderfully restored by Stephan Barezzi. [S.l., s.n. Fabjan, B. and P. C. Marani (1998). Leonardo : la dama con l'ermellino. [Cinisello Balsamo (Milano)], Silvana. Faggi, A. (1937). Leonardo e la laude del sole. Faggi, A. (1939). Ancora su Leonardo. Fago, L. (1932). Leonardo. Milano, Società anonima editrice Dante Alighieri. Fahy, E., Los Angeles County Museum of Art., et al. (1979). The legacy of Leonardo : Italian Renaissance paintings from Leningrad. New York, M. Knoedler. Fairbrother, T. J., C. Ishikawa, et al. (1997). Leonardo lives : the Codex Leicester and Leonardo da Vinci's legacy of art and science. Seattle, Seattle Art Museum in association with University of Washington Press. Falcandro [Leonardo da V., (Valcandro, l'antileonardo)]. Falchi, A. (1902). Leonardo musicista. Roma, Società editrice Dante Alighieri. Falco, L., R. Bufano, et al. (1983). Lo spazio di Leonardo. Two performances of a work commissioned in honor of the 500th anniversary of Leonardo da Vinci's sojourn in Milan. The first performance (cassettes 1 and 2, ca. 102 min. total) is a wide shot, recorded from the orchestra ; the second (cassettes 3 and 4, ca. 104 min. total) is a close shot recorded from a slightly higher viewpoint ; it lacks part of the opening. Falk-Verlag. and GeoData (Firm) (1996). Roma : centro di Roma, pianta della città : laghi e castelli romani, Lido di Ostia, Aeroporto Leonardo da Vinci, Tivoli. Hamburg, Falk-Verlag. Fara, A. (1997). Leonardo e l'architettura militare : 36. lettura vinciana, 15 aprile 1996 : Città di Vinci, Biblioteca Leonardiana. Firenze, Giunti. Fara, A. and Biblioteca leonardiana. (1997). Leonardo e l'architettura militare : 15 aprile 1996, Città di Vinci, Biblioteca Leonardiana. Firenze, Giunti. Fara, A., G. M. Fara, et al. (1999). Leonardo a Piombino e l'idea della città moderna tra quattro e cinquecento. [Firenze], Leo S. Olschki. Fara, A., Leonardo, et al. (1999). Leonardo a Piombino e l'idea della città moderna tra Quattro e Cinquecento. [Firenze], L.S. Olschki. Farago, C. J. (1999). Leonardo's science and technology : essential readings for the non-scientist. London, Garland. Farago, C. J. (1999). Leonardo's writings and theory of art. London, Garland. Farago, C. J. (1999). Leonardo's projects, c.1500-1519. London, Garland. Farago, C. J. (1999). An overview of Leonardo's career and projects until c.1500. New York, Garland Pub. Farago, C. J. (1999). Biography and early art criticism of Leonardo da Vinci. New York, Garland. Farago, C. J. and Leonardo (1991). Leonardo da Vinci's Paragone : a critical interpretation with a new edition of the text in the Codex Urbinas. New York, E.J. Brill. Farinelli, A. (1918). Michelangelo e Dante, e altri brevi saggi: Michelangelo poeta, La natura nel pensiero e nell' arte di Leonardo da Vinci, Petrarca e le arti figurative, Fratelli Bocca. Farinelli, A. (1918). Michelangelo e Dante e altri brevi saggi. Torino, Fratelli Bocca. Farinelli, A. (1939). Leonardo e la natura, Fratelli Bocca. Fassò, C. A. (1997). Che chosa è acqua : atti del Simposio su Leonardo da Vinci e l'idraulica, Milano, Centro congressi Cariplo, 1 dicembre 1995. Milano, Fondazione Cassa di risparmio delle provincie lombarde : Libri Scheiwiller. Favaro, A. La place de Léonard de Vinci dans l'histoire des sciences. Favaro, A. Passato, presente e avvenire delle edizioni Vinciane. Favaro, A. Nuove ricerche sul matematico Leonardo Cremonese. Favaro, A. Archimede e Leonardo da Vinci. Favaro, A. Di alcuni recenti lavori su Leonardo da Vinci. Favaro, A. Léonard de Vinci a-t-il exercé une influence sur Galileé et son école? Favaro, A. Note Vinciane. Favaro, A. (1885). Gli scritti inediti di Leonardo da Vinci. Favaro, A. (1890). Ulteriori ragguagli sulla pubblicazione dei manoscritti di Leonardo da Vinci. Favaro, A. and G. Favaro (1914). A proposito dei tre primi quaderni di anatomia di Leonardo da Vinci, C. Ferrari. Favaro, A. and G. Govi (1923). Gilberto Govi ed i suoi scritti intorno a Leonardo da Vinci, P. Maglione e C. Strini. Favaro, G. Leonardo o Lionardo? Favaro, G. Leonardo e l'embriologia degli Uccelli. Favaro, G. La struttura del cuore nel quarto quaderno d'anatomia di Leonardo. Favaro, G. L'orecchio e il naso nel sistem antropometrico di Leonardo da Vinci. Favaro, G. Misure e proporzioni del corpo umano secondo Leonardo. Favaro, G. Intorno al problema Vinciano dell' accorciamento dell' avambraccio nella pronazione. Favaro, G. Intorno al nuovo foglio anatomico Vinciano del Castello di Weimar. Favaro, G. L'equilibrio del corpo umano negli studi di Leonardo. Favaro, G. De Leonardi Vincii anatome. Favaro, G. (1917). Il canone di Leonardo sulle proporzioni del corpo umano, Prem. officine grafiche di C. Ferrari. Favaro, G. (1925). Leonardo da Vinci e girolamo fabrici d'acquapendente nella storia delle scienze biologiche. Favaro, G. (1930). La mano "stanca" di Leonardo. Favaro, G. (1931). Come scriveva Leonardo. Favaro, G. (1936). Leonardo da Vinci nella poesia latina, Società tipografica Modenese. Favaro, G. (1938). Gli studi anatomici di Leonardo nei Regesti vinciani, Società tip. modenese. Favaro, G. (1939). Scampoli Vinciani. Favaro, G. (1941). La Bibbia nei manoscritti di Leonardo. Favaro, G. (1943). Alberto Magno ed Alberto di Sassonia nei manoscritti di Leonardo. Favaro, G. and Istituto vinciano in Roma. (1923). Leonardo da Vinci, i medici e la medicina : memoria. Roma, S. Maglione & C. Strini. Fay, F. (1967). Notre-Dame pour Louis XII de Leonardo da Vinci : Découverte d'une nouvelle règle d'or. Paris, Editions du Portique. Feddersen, H. (1975). Leonardo da Vincis Abendmahl Hans Feddersen. [1.-4. Tsd.]. Stuttgart, Urachhaus. Fehrenbach, F. and Leonardo (1997). Licht und Wasser : zur Dynamik naturphilosophischer Leitbilder im Werk Leonardo da Vincis. Tübingen, E. Wasmuth. Feldhaus, F. M. (1922). Leonardo, der techniker und erfinder, E. Diederichs. Feldhaus, F. M. (1954). Die Maschine im Leben der Völker; ein Überblick von der Urzeit bis zur Renaissance. Basel, Birkhäuser. Felice, J. John Felice Order Sons of Italy in America Collection. The John Felice Order Sons of Italy in America collection (1975-1985) includes convention books and minutes of the Virginia Grand Lodge (1976-1981); financial reports (1980-1985); miscellaneous officer lists and correspondence (1975-1985); and a Supreme Convention book (1981). Also included are minutes and miscellaneous materials pertaining to local lodges including Amici D'Italia Lodge No. 2471 (Woodbridge, Va.), Avanti Italiani Lodge No. 238 (Alexandria, Va.), Italian Heritage Cultural and Fellowship Society Lodge No. 2517 (Manassas, Va.), George Washington Lodge No. 2038 (Vienna, Va.), Leonardo Da Vinci Lodge No. 2500 (Manassas, Va.), Peninsula Italian-American Lodge No. 2145 (Hampton, Va.), and Roma Lodge No. 254 (Norfolk, Va.) Ferbach, M. (1960). Michelangelo und der geistige Umbruch der Zeiten : Leonardo da Vinci und Michelangelo, 1505-1514. Wien, Institut für Michelangelo-Ferschung. Fernández Bayo, I. (1997). La voz de la Gioconda. Madrid, Celeste Ediciones. Ferraris, U. (1940). Il dramma di Leonardo, Casa editrice "Apuania". Ferrer Rodríguez, E. (1990). La Mona Lisa : una fascinante historia. Madrid, Maeva Ediciones. Ferrero, L. Leonardo o dell'arte, Nuove edizioni Capolago. Ferrero, L., Leonardo, et al. (1929). Leonardo o dell'arte. Con un'introduzione di Paul Valéry, Frat. Bruatti. Ferrero, L. and P. Valéry (1929). Leonardo da Vinci o Dell' arte. Torino, Fratelli Buratti. Ferrero, L. and P. Valéry (1929). Léonard de Vinci, ou L'Ïuvre d'art, Éditions Kra. Ferrero, L. and P. Valéry (1929). Leonardo o dell'arte. Torino, F.lli Buratti. Ferri, L. Leonardo da Vinci scienziato e filosofo (vita e scritti secondo nuovi documenti). Ferri, L. (1871). Leonardo da Vinci e la filosofia dell'arte, Unione Tipografico-Editrice. Fienga, D. D. and D. Bramante (1970). The Antiquarie prospetiche romane, composte per prospectivo melanese depictore : a document for the study of the relationship between Bramante and Leonardo da Vinci. [s.l. Filipczak, Z. Z. (1977). New light on Mona Lisa: Leonardo's optical knowledge and his choice of lighting. Filo di Arianna. Segni verticali : emergenze architettoniche del territorio di Fiumicino, dal faro del Porto di Claudio alla torre di controllo del "Leonardo da Vinci". 58 p., in gran parte ill. Filosa, C. (1953). Leonardo narratore. Con note e indicazioni bibliografiche, Emiliana. Finger, F. L. and California. University. University at Los Angeles. Art Library. (1971). Catalogue of the incunabula in the Elmer Belt Library of Vinciana, Friends of the UCLA Library. Finger, F. L. and University of California Los Angeles. Art Library. (1971). Catalogue of the incunabula in the Elmer Belt Library of Vinciana, Friends of the UCLA Library. Fiorin, M. (1882). Geographical papers. [S.l., s.n. Fiorio, M. T., R. Di Cagno, et al. (1982). Leonardesque painters in Lombardy. [Milan?], Regione lombardia Settore commercio e turismo. Fiorio, M. T., P. C. Marani, et al. (1991). I Leonardeschi a Milano : fortuna e collezionismo. Milano, Electa. Fiorio, M. T., P. C. Marani, et al. (1991). I Leonardeschi a Milano : fortuna e collezionismo. Milano, Electa. Firpo, L. (1971). Leonardo, architetto e urbanista. [Torino], Unione tipografico-editrice torinese. Firpo, L. and Congresso internazionale Leonardo e l'eta della ragione (1982: Milan) (1982). Leonardo in Piemonte. Milano, Congresso Internazionale. Fischer, H. (1952). Leonardo da Vinci als Physiologe; zur Erinnerung an die Fünfhundertste Widerkehr seines Geburtstages, Sauerländer. Flekser, A. L. v. (1900). Leonardo-da-Vinchi, Izd. A. F. Marksa. Flora, F. (1947). Antologia leonardesca. Milano, Istituto editoriale cisalpino. Flora, F. (1948). Leonardo e il Rinascimento, commenti ai testi vinciani, corso di letteratura italiana per l'anno accademico 1947-48, Malfasi. Flora, F. (1952). Leonardo, Mondadori. Florence. Societè "Leonardo da Vinci." (1937). Mostra della miniatura gotica italiana, 21 genn.-10 febbr. 1937. Folliard, E. T. Escorting Mona Lisa to America. Fox, J. L. (1992). The incredible life of Leonardo da Vinci. Chicago, Ill., Adams Press. Francesco di, G., L. Firpo, et al. (1979). Trattato di architettura di Francesco di Giorgio Martini. Firenze, Giunti Barbèra. Francia, F. and M. Reggiani Rajna [Francia, Francesco, (e il Boltraffio)]. Francis, F. B. D. (1966). Leonardo da Vinci, Hutchinson Educational. Franco, V. (1935). La cena; boceto dramático en un acto, Editorial "Luz y vida s.a.". Frantz, E. (1885). Das Heilige Abendmahl des Leonardo da Vinci von, Herder. Frantzius, F. W. v. Leonardo da Vinci's "Flora" bust - or Mona Lisa in wax. Franzero, C. M. (1968). Leonardo, Rizzoli. Franzini, E. (1987). Il mito di Leonardo : sulla fenomenologia della creazione artistica. Milano, Edizioni Unicopli. Frassineti, M. (1998). Santa Maria delle Grazie. Milano, F. Motta. Fréart, R. and J. Evelyn (1668). An idea of the perfection of painting demonstrated from the principles of art, and by examples conformable to the observations which Pliny and Quintilian have made upon the most celebrated pieces of the antient painters, parallel'd with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin. In the Savoy, Printed for Henry Herringman ... Fréart, R. and J. Evelyn (1668). An idea of the perfection of painting demonstrated from the principles of art, and by examples conformable to the observations, which Pliny and Quintilian have made upon the most celebrated pieces of the ancient painters, parallel'd with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin, H. Herringman. Fréart, R., J. Evelyn, et al. (1668). An idea of the perfection of painting : demonstrated from the principles of art, and by examples conformable to the observations, which Pliny and Quintilian have made upon the most celebrated pieces of the antient painters, paralled'd with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin. In the Savoy [London], Printed for Henry Herringman ... Freire, S. A. (1965). Harmonia cósmica na pintura de Leonardo. Frère, J. C. and Leonardo (1994). Léonard de Vinci : peintre, inventeur, visionnaire, mathématicien, philosophe, ingénieur. Paris, Terrail. Frère, J. C. and Leonardo (1995). Leonardo : painter, inventor, visionary, mathematician, philosopher, engineer. Paris, Terrail. Frère, J. C., Leonardo, et al. (1995). Léonardo : painter, inventor, visionary, mathématician, philosopher, engineer. Paris, Terrail. Fresne, R. d. and Leonardo (1733). Trattato della pittvra di Lionardo da Vinci : nouamente dato in luce, con la vita dell'istesso autore : scritta da Rafaelle dv Fresne : si sono giunti i tre libri della pittura, ed il trattato della statua di Leon Battista Alberti, colla vita del medesimo : e di nuovo ristampato, corretto, ed a maggior perforione condotto. Napoli, Francesco Ricciardo. Freud, S. (1910). Eine Kindheitserinnerung des Leonardo da Vinci. Leipzig, F. Deuticke. Freud, S. (1912). Leonardo da Vinchi, Sovremennyia problemy. Freud, S. (1922). Leonardo da Vinci; a psychosexual study of an infantile reminiscence, Kegan Paul Trench Trubner & Co. ltd. Freud, S. (1927). Un souvenir d'enfance de Léonard de Vinci, Librairie Gallimard. Freud, S. (1955). Leonardo da Vinci; un estudio en psico-sexualidad, D.F. Editorial Azeteca. Freud, S. (1963). Leonardo da Vinci and a memory of his childhood. [Harmondsworth], Penguin Books. Freud, S. (1966). Leonardo da Vinci; a study in psychosexuality, Random House. Freud, S. (1966). Leonardo da Vinci : psychosexual study of an infantile reminiscence. New York, Random House. Freud, S. (1971). Mo-no-li-sa ti wei hsiao, Ta-wen-hsi hsing hsin li fen hsi, Ch*en chung ch*u pan she. Freud, S. (1984). Psicoanálisis del arte. México, D.F., Alianza Editorial Mexicana. Freud, S. (1984). Leonardo da Vinci : a memory of his childhood. London, Ark. Freud, S., Ed. (1985). Art and literature : Jensen's Gradiva, Leonardo da Vinci and other works. Pelican Freud library ; v. 14. Harmondsworth, Middlesex, England, Penguin Books. Freud, S. and M. Bonaparte (1927). Un souvenir d'enfance de Léonard de Vinci. Paris, Librairie Gallimard. Freud, S. and A. A. Brill (1922). Leonardo da Vinci; a psychosexual study of an infantile reminiscence. New York, Moffat Yard. Freud, S. and A. A. Brill (1922). Leonardo da Vinci : a psychosexual study of an infantile reminisence. London, Kegan Paul Trench Trubner & Co. Freud, S. and A. A. Brill (1932). Leonardo da Vinci: a psychosexual of an infantile reminiscence, Dodd Mead & company. Freud, S. and A. A. Brill (1947). Leonardo da Vinci : a study in psychosexuality. New York, Vintage Books. Freud, S., A. A. Brill, et al. (1947). Leonardo da Vinci : a study in psychosexuality. New York, Random House. Freud, S. and A. Dickson, Eds. (1985). Art and literature : Jensen's Gradiva, Leonardo da Vinci and other works. The Penguin Freud library ; v. 14. London, Penguin. Freud, S., L. López-Ballesteros y de Torres, et al. (1972). Obras completas : tomo V (1909-1913) : XLVI. Psicoanálisis L. Un recuerdo infantil de Leonardo de Vinci... LXXVII. El "Moises" de Miguel Angel LXXIX. Historia del movimiento psicoanalítico. Madrid, Biblioteca Nueva. Freud, S. and J.-B. Pontalis (1991). Un souvenir d'enfance de Léonard de Vinci = = Eine Kindheitserinnerung des Leonardo Da Vinci. [Paris], Gallimard. Freud, S. and I. Stone (1948). Leonardo da Vinci : a psychosexual study of an infantile reminiscence. London, Routledge & Kegan Paul. Freud, S., J. Strachey, et al. (1957). Five lectures on psycho-analysis, Leonardo da Vinci and other works. London, Hogarth Press. Freud, S. and A. Tyson (1984). Leonardo da Vinci : a memory of his childhood. London, Routledge & K. Paul. Freud, S., A. Tyson, et al., Eds. (1989). Leonardo da Vinci and a memory of his childhood. New York, Norton. Freud, S., A. Tyson, et al., Eds. (1989). Leonardo da Vinci and a memory of his childhood. The standard edition of the complete psychological works of SigmundFreud. New York, Norton. Fricke, A. (1990). Das Lächeln des Leonardo da Vinci. Berlin (West), Edition Fricke & Schmid. Fricke, A. (1991). Leonardo da Vinci's smile a random generator. [Berlin], Edition Fricke & Schmid. A program by Adib Fricke which randomly produces approximately 30 million different statements about art. Friedenthal, R. (1959). Leonardo da Vinci : a pictorial biography. London, Thames and Hudson. Friedenthal, R. (1959). Leonardo, eine Bildbiographie, Kindler. Friedenthal, R. (1961). Leonardo : biografía ilustrada. Barcelona, Destino. Friedenthal, R. (1965). Léonard de Vinci, Hachette. Friedenthal, R. (1986). Leonardo. Barcelona, Salvat. Frischauer, P. (1985). Leonardo da Vinci : Roman. München, Herbig. Fritsch, A. (1998). Europäische Bildungspolitik nach Maastricht : zwischen Kontinuität und neuen Dimensionen : eine Untersuchung am Beispiel der Programme ERASMUS/SOKRATES und LEONARDO. New York, P. Lang. Frizzoni, G. Leonardo da Vinci rammentato da un viaggiatore contemporaneo. Frizzoni, G. L'arte del disegno in Leonardo da Vinci e Rafaello Sanzio. Fulkerson, C. and Leonardo (1983). Scritti di Leonardo : for tenor solo, vocal quartet, and five instrumentalists, 1983. [United States?], White Sphere Group Publications. Fumagalli, G. (1952). Eros di Leonardo, Garzanti. Fumagalli, G. (1959). Leonardo ieri e oggi, Nistri-Lischi. Fumagalli, G. and Leonardo (1971). Eros di Leonardo, Sansoni. Fumagalli, I. Scuola di Lionardo da Vinci in Lombardia. [S.l., s.n. Fumagalli, I. (1811). Scuola di Lionardo da Vinci in Lombardia, o sia, Raccolta di varie opere eseguite dagli allievi e imitatori di quel gran maestro : disegnate, incise e descritte. Milano, dalla Reale stamperia. Fusco, L. S. (1978). The nude as protagonist : Pollaiuolo's figural style explicated by Leonardo's study of static anatomy, movement, and functional anatomy. Fusero, C. Leonardo, Corbaccio. Future Vision Multimedia Inc. (1995). Leonardo the inventor. San Diego, CA, Future Vision Multimedia Inc. Galbiati, G. (1920). Il Cenacolo di Leonardo da Vinci del pittore Giuseppe Bossi, Alfieri & Lacroix. Galbiati, G. (1920). Il Cenacolo di Leonardo da Vinci del pittore Giuseppe Bossi : nei giudizî d'illustri contemporanei. Roma, Alfieri & Lacroix. Galbiati, G. (1939). Dizionario leonardesco; repertorio generale delle voci e cose contenute nel Codice atlantico, con aggiunta di sei disegni inediti del Codice stesso, di passi trascritti e di indici speciali, U. Hoepli. Galbiati, G. (1939). Dizionario leonardesco; repertorio generale delle voci e cose contenute nel Codice Atlantico, con aggiunta di sei disegni del codice stesso, di passi trascritti e di indici speciali, U. Hoepli. Galbiati, G. and Biblioteca ambrosiana. (1939). Leonardo tra gli splendori della sua raccolta all'Ambrosiana : Il convegno degli spiriti magni, 31 marzo 1938-XVI. Milano, U. Hoepli. Galbiati, G. and Milan. Biblioteca ambrosiana. (1939). Leonardo tra gli splendori della sua raccolta all'Ambrosiana, 31 marzo 1938-XVI : letture e discorsi. Milano, U. Hoepli. Galbiati, G., F. Orestano, et al. (1939). Il convegno degli spiriti magni. Leonardo tra gli splendori della sua raccolta all' Ambrosiana, 31 marzo 1938-XVI. Gallenberg, H. g. v. (1834). Leonardo da Vinci, Friedrich Fleischer. Galleria dell'Accademia di belle arti (Venice Italy), B. Michelangelo, et al. (1876). Fac-simile eseguito in eliotipia. Raccolta di 120 principali. Venezia, F. Ongania. Gallerie dell'Accademia (Venice Italy), L. Gogliati Arano, et al. (1980). Leonardo : disegni di Leonardo e della sua cerchia alle Gallerie dell'Accademia : [mostra] Venezia, Gallerie dell'Accademia, maggio - giugno 1980. Milano, Electa. Gallerie dell'Accademia di Venezia. and F. Ongania (1877). Raccolta di 120 principali disegni originali di Michelangelo, Raffaello, Leonardo da Vinci, Tiziano e d'altri celebri artisti esistenti nella R. Accademia di belle arti in Venezia, F. Ongania successore Münster. Galli, L. and Leonardo (1996). Mona Lisa : the secret of the smile. New York, NY, Delacorte Press. Galluzzi, P. (1989). Leonardo e i proporzionanti, 16 aprile 1988, città di Vinci, Biblioteca leonardiana. [Firenze], Giunti Barbèra. Galluzzi, P. (1995). Les ingénieurs de la Renaissance : de Brunelleschi à Léonard de Vinci. Firenze, Giunti. Galluzzi, P. and Istituto e museo di storia della scienza (Italy) (1996). Renaissance engineers : from Brunelleschi to Leonardo da Vinci. [Florence], Giunti. Galluzzi, P., Istituto e museo di storia della scienza (Italy), et al. (1996). Gli ingegneri del Rinascimento da Brunelleschi a Leonardo da Vinci. Firenze, Giunti : Istituto e Museo di storia della scienza. Galluzzi, P., Istituto e museo di storia della scienza (Italy), et al. (1997). Mechanical marvels : invention in the age of Leonardo. Florence, Giunti : Instituto e Museo di Storia della Scienza. Galluzzi, P. and Leonardo (1991). Prima di Leonardo : cultura delle macchine a Siena nel Rinascimento. Milano, Electa. Galluzzi, P. and A. Marinoni (1974). Leonardo da Vinci. Firenze, Giunti ; Barbèra. Galluzzi, P. and Montreal Museum of Fine Arts. (1987). Leonardo da Vinci, engineer and architect. [Montréal], Montreal Museum of Fine Arts. Galluzzi, P. and Palazzo Strozzi. (1996). Renaissance engineers from Brunelleschi to Leonardo da Vinci. Florence, Istituto e Museo di Storia della Scienza : Giunti. Gangoly, O. C. (1952). Leonardo da Vinci; a quincentenary tribute. Gantner, J. Les fragments récemment découverts d'une fresque de Léonard de Vinci au Chateau de Milan. Gantner, J. (1952). Lionardo da Vinci: Gedenkrede zur Erinnerung an die fünf-hundertste Wiederkehr des Geburtstages gehalten am 10. Mai 1952 in der Martinskirche, Helbing & Lichtenhahn. Gantner, J. (1954). Lionardo da Vinci. Saarbrücken, West-Ost-Verlag. Gantner, J. (1958). Leonardos Visionen von der Sintflut und vom Untergang der Welt; Geschichte einer künstlerischen Idee, Francke. Gantner, J. and L. Da Vinci (1952). Lionardo da Vinci : Gedenkrede zur Erinnerung an die 500. Wiederkehr des Geburtstages, gehalten am 10. Mai 1952 in der Martinskirche. Basel, Helbing & Lichtenhahn. Garberi, M. (1982). Leonardo e il Castello sforzesco di Milano. Firenze, Giunti Barbèra. Garesché, E. F. (1924). Great Christian artists: Leonardo da Vinci, Raphael, Michelangelo, Fra Angelico, Murillo, Rubens, Van Dyck, The Bruce publishing company. Garesché, E. F. (1924). Great Christian artists: Leonardo da Vinci, Raphael, Michelandelo, Fra Angelico, Murillo, Rubens, Van Dyck, The Bruce publishing company. Garin, E. (1965). Scienza e vita civile nel Rinascimento italiano. Bari, Laterza. Garin, E. (1972). La città in Leonardo. Vinci, Biblioteca leonardiana, 15 aprile 1971, G. Barbèra. Gastev, A. (1982). {C}Leonardo da Vin*ci. {C}Moskva, "Moloda*i*a gvardi*i*a" {R}. Gastev, A. (1984). Leonardo da Vinchi. Moskva, "Moloda*i*a gvardi*i*a ". Gates, B., M. Kemp, et al. (1996). Leonardo da Vinci. Bellevue, WA, Corbis. Multimedia biography of artist, scientist, and engineer, Leonardo da Vinci. Covers his paintings, maps, and architectural and engineering plans. Explains da Vinci's theories on geology and astronomy, and examines the Codex Leicester, his treatise on water dynamics. Features introduction by Bill Gates, owner of Codex Leicester, and noted art historian Martin Kemp. Offers virtual tours, animations, narrated slide shows, video, and time line. Gates, B., M. Kemp, et al. (1998). Leonardo da Vinci. [Bellevue, WA] Toronto, Ontario, Canada, Corbis ; I. Hoffmann + associates Inc. Multimedia biography of artist, scientist, and engineer, Leonardo da Vinci. Covers his paintings, maps, and architectural and engineering plans. Explains da Vinci's theories on geology and astronomy, and examines the Codex Leicester, his treatise on water dynamics. Features introduction by Bill Gates, owner of Codex Leicester, and noted art historian Martin Kemp. Offers virtual tours, animations, narrated slide shows, video, and time line. Gatteschi, S. (1841). Elogio di Leonardo da Vinci : letto alla presenza delle LL. AA. II. e RR. il Granduca e la Granduchessa di Toscana in un trattenimento letterario offferto il di 18 settembre 1841 dagli alunni delle scuole pie agli uomini celebri per la scienza riuniti in Firenze. Firenze, Calasanziani. Gautier, T. (1909). Guide de l'amateur au Musée du Louvre, suivi de la vie et les oeuvres de quelques peintres, Charpentier. Gautier, T. and Musée du Louvre. Département des peintures des dessins et de la chalcographie. (1899). Guide de l'amateur au Musée du Louvre, suivi de La vie et les Ïuvres de quelques peintres, Bibliothèque-Charpentier. Gautier, T. and Paris (France). Musée national du Louvre. Département des peintures et dessins. (1899). Guide de l'amateur au Musée du Louvre, suivi de La vie et les Ïuvres de quelques peintres, Bibliothèque-Charpentier. Gautier, T. and Paris Musée national du Louvre Department des peintures des dessins et de la chalcographic. (1909). ... Guide de l'amateur au Musée du Louvre, suivi de La vie et les puvres de quelques peintres, Bibliothèque-Charpentier. Gautier, T. and F. C. d. Sumichrast, Eds. (1905). The Louvre : Leonardo da Vinci, Esteban Bartolome Murillo, Sir Joshua Reynolds. Works of Théophile Gautier ; 9. [S.l.], Jenson Society. Gelb, M. (1998). How to think like Leonardo Da Vinci : seven steps to genius every day. New York, N.Y., Delacorte Press. Gelb, M. (1999). The how to think like Leonardo da Vinci workbook : your personal companion to How to think like Leonardo da Vinci. New York, Dell Pub. Gentile, G. (1941). Il pensiero di Leonardo. Firenze, G. C. Sansoni. Gerszi, T. (1988). Les plus beaux dessins de Vinci à Chagall. Budapest, Corvina. Ghi*tescu, G. (1986). Leonardo Da Vinci *si civiliza*tia imaginii. Bucure*sti, Editura Albatros. Ghyka, M. C. (1935). Le Nombre d'or : rites et rythmes pythagoriciens dans le développement de la civilisation occidentale. Paris, Gallimard Editions de la Nouvelle revue française. Giacomelli, R. Macchine volanti e strumenti meteorologici e di volo in Leonardo da Vinci. Giacomelli, R. Leonardo da Vinci e la macchina di volo. Giacomelli, R. (1926). La forma di migliore penetrazione secondo Leonardo da Vinci. Giacomelli, R. (1927). Il volo degli uccelli in due recenti pubblicazioni vinciane. Giacomelli, R. (1927). Leonardo da Vinci e il volo meccanico, Tip. C. F. Mariotti. Giacomelli, R. (1928). Les machines volantes de Lèonard de Vinci et le vol à voile. Giacomelli, R. (1934). Progetti Vinciani di macchine volanti all'Esposizione Aeronautica di Milano. Giacomelli, R. (1936). Gli scritti di Leonardo da Vinca sul volo. Roma, G. Bardi. Gianotti, A. and d. Comitato nazionale per le onoranze a Leonardo da Vinci nel quinto centenario (1953). Geografia e geologia negli scritti di Leonardo da Vinci. Gianotti, A. and Museo nazionale della scienza e della tecnica "Leonardo da Vinci." (1953). Geografica e geologica negli scritti di Leonardo da Vinci, Mostra della scienza e tecnica di Leonardo presso il Museo nazionale della scienza e della tecnica. Gibbes, F. G. (1924). The face; a play in three acts, Brentano's. Gibbs-Smith, C. H. (1967). Leonardo da Vinci's aeronautics, H.M.S.O. Gibbs-Smith, C. H. and R. Kousbroek (1978). De uitvindingen van Leonardo da Vinci. Haarlem, De Haan. Gibbs-Smith, C. H. and London. Science Museum. (1967). Leonardo da Vinci's aeronautics, H. M. S. O. Gibbs-Smith, C. H. and G. Rees (1978). Les inventions de Léonard de Vinci. [Paris], Chêne. Gibbs-Smith, C. H. and G. Rees (1985). The inventions of Leonardo da Vinci. London, Peerage. Giglioli, O. H. (1942). Incisori toscani del Seicento. Firenze, F. Le Monnier. Giglioli, O. H. (1942). Mostra degli incisori toscani del Seicento. Firenze, F. Le Monnier. Giglioli, O. H. (1943). Incisori toscani del Settecento. Firenze, F. Le Monnier. Giglioli, O. H. (1944). Leonardo, iniziazione alla conoscenza di lui e delle questioni vinciane, Arnaud. Gigliozzi, G. Leonardo, Danesi pc[1946?]. Gigliozzi, G. (1948). Leonardo da Vinci, Ediciones Omega. Gilbert, K. R. (1952). Leonardo Da Vinci: Quincentenary Exhibition. [London, Great Britain, Royal Academy of Arts. Gille, B. and Leonardo (1972). Leonardo e gli ingegneri del Rinascimento. Milano, Feltrinelli. Gillen, M. F. (1951). The birdman ; the story of Leonardo da Vinci, Stravon Publishers. Gilles de la Tourette, F. (1932). Leónard de Vinci. Paris, A. Michel. Gillette, H. S. (1962). Leonardo da Vinci, pathfinder of science. New York, F. Watts. Giorgio, F. d., Biblioteca medicea laurenziana., et al. (1979). Il codice Ashburnham 361 della Biblioteca medicea laurenziana di Firenze : trattato di architettura di Francesco di Giorgio Martini. Firenze, Giunti Barbèra. Giovannoni, G. (1943). L'Urbanistica dall'antichità ad oggi, Sansoni. Giunti-Barbèra (Firm) and Johnson Reprint Corporation. (1973). Leonardo da Vinci's Codex Atlanticus. [Firenze, Italy New York, N.Y., C.E. Giunti-Barbera ; Johnson Reprint Corp. Advertisement flyer for the 1973-1975 reprint ed. of Leonardo da Vinci's Codex atlanticus. Glasser, H. (1977). Artists' contracts of the early Renaissance. New York, Garland Pub. Godwin, G. S. (1936). The disciple : a play in three acts. London, Acorn Press. Goehr, A. and Leonardo (1959). The deluge : cantata after Leonardo da Vinci, for soprano, contralto, and instrumental ensemble. London New York, Schott & Co. ; Associated Music Publishers : European American Music Distributors Corp. Goethe, J. W. v., L. Mazzucchetti, et al. (1939). Goethe e il Cenacolo di Leonardo, U. Hoepli. Goethe, J. W. v. and G. H. Noehden (1821). Observations on Leonardo da Vinci's celebrated picture of the Last Supper. London, Printed by W. Bulmer and W. Nicol for J. Booth. Goldblatt, M. H. (1961). Leonardo da Vinci, Citadel Press. Goldscheider, L. (1952). Leonardo da Vinci : landscapes and plants, Phaidon Press. Goldscheider, L., Ed. (1952). Landscapes and plants. London, Phaidon. Goldscheider, L. (1959). Leonardo da Vinci, W. de Haan n.v. Goldscheider, L. (1964). Leonardo da Vinci, life and work, paintings and drawings. London, Phaidon Press. Goldscheider, L., H. v. Beyer, et al. Ludwig Goldscheider papers. Letters, drafts and manuscript revisions of books, photographic materials, annotated books, and personal papers primarily document Goldscheider's writings on art and artists. Materials include informal notes, drafts, printed copies of books with Goldscheider's annotations and revisions, author's proofs, galleys, and some final published editions, together with photographs, slides and printed reproductions of art works intended for private study as well as for publication. Complementing these are Goldscheider's correspondence in his capacity as a principal in the Phaidon publishing house and a respected connoisseur and art historian. Series I. Correspondence (arranged chronologically), consists mostly of letters and copies of letters to Goldscheider dating 1925-1973 from individuals associated with Phaidon and other publishing houses, as well as art historians, collectors, museum personnel, critics, and dealers. Correspondents include: Hubertus von Beyer, Kenneth Clark, Robert Langton Douglas, Reinhold Neven Dumont, Hans Fegers, Paul Ganz, Philip Hendy, Heinrich Klumbies, P. J. LeBrooy, Fritz Novotny, K. T. Parker, A. E. Popham, Gustav Schimert, Irving Stone, Frederick Ungar, Stanley Unwin, and Joseph Caspar Witsch. Series II, Writings: art and poetry contains drafts of books; research notes; poetry; and printed matter. Much of this material is devoted to Michelangelo as well as to other major figures of the Italian Renaissance. Other topics range from Roman portraiture to Velasquez, Vermeer and Rembrandt to Kokoschka. This series also contains offprints of articles by Goldscheider and reviews of Goldscheider's books as well as poems by Goldscheider and Hubertus von Beyer. Series III, Book illustrations and photographs. The majority of items in this section are offset reproductions for the Phaidon Press's Botticelli (1937) and photographs and tranparencies of wax and terra-cotta models by Michelangelo. Series IV, Books, includes six annotated volumes. Five are works by Goldscheider: Die Schönsten deutschen Gedichte (1924); A survey of Michelangelo's models in wax and clay (1962); two versions of Leonardo da Vinci (1959 and 1960 proof); and Kokoschka (1966). The sixth volume is A. B. de Vries's Jan Vermeer van Delft. Series V. Personal papers, includes family portraits and other personal photographs, immigration and naturalization papers, travel visas and other state documents, bank account papers and personal address books. There are also publicity materials relating to Phaidon's Golden Jubilee celebrations in 1973. Goldscheider, L. and Leonardo (1951). Leonardo da Vinci. London, Phaidon Press. Goldsmith, A. R. Leonardo da Vinci 1452-1952. Goldstein, T. (1980). Dawn of modern science : from the Arabs to Leonardo da Vinci. Boston, Houghton Mifflin. Gombrich, E. H. and Biblioteca leonardiana. (1984). Leonardo e i maghi : polemiche e rivalità. [Firenze], G. Barbèra. Gombrich, E. H. and P. Rodgers (1993). Papers given on the occasion of the dedication of The Last Supper (after Leonardo), Magdalen College, Oxford, 10 March 1993. Oxford, Magdalen College. Goodrich (B.F.) Co. Akron Ohio. and American Broadcasting Co. (1965). I, Leonardo da Vinci. Traces the career of Leonardo da Vinci from his boyhood until his death, using subjective camera techniques to re-create the spirit of the Italian Renaissance. Points out the influence of the artist on the growth of Western man. Gordon, S. (1966). Leonardo da Vinci, 1452-1519: his life, work and experiments, Blackwell. Gosudarstvenny*i *Ermitazh (Russia) (1990). Da Leonardo a Tiepolo : collezioni italiane dell'Ermitage di Leningrado. Milano, Electa. Gosudarstvenny*i *Ermitazh (Soviet Union), M. V. Alpatov, et al. (1984). La Madonna Benois di Leonardo da Vinci a Firenze : il capolavoro dell'Ermitage in mostra agli Uffizi. Firenze, Giunti Barbèra. Gottlieb, C. (1976). Something else : Duchamp's "Bride" and Leonardo. [Stockholm], Konsthistorisk Tidskrift. Gould, C. H. M. (1975). Leonardo : the artist and the non-artist. Boston, New York Graphic Society. Grabski, J., J. Wa*ek, et al., Eds. (1991). Leonardo da Vinci (1452-1519) : lady with an ermine : from the Czartoryski Collection, National Museum, Cracow. Vienna, IRSA Verlag. Grabski, J., J. Wa*ek, et al. (1991). Leonardo da Vinci : Lady with an Ermine : from the Czartoryski Collection, National Museum, Cracow. Vienna, Irsa. Great Britain. Royal Collection. and Windsor Castle. Royal Library. (1983). The Royal collection of drawings and watercolours in the Royal Library, Windsor Castle. London, Mindata. Green, A. (1992). Révélations de l'inachèvement : à propos du carton de Londres de Léonard de Vinci. Paris, Flammarion. Green, K. R. and T.-m. Ch*en (1937). Wen-hsi hsiao chuan. Shang-hai, Kuang hsüeh hui. Gregori, M. and E. Acanfora (1994). Studi di storia dell'arte in onore di Mina Gregori. [Cinisello Balsamo], Silvana. Grifone, D. (1910). Leonardo da Vinci, pensatore e scrittore (con illustrazioni), G. Tamborrino. Grolman, A. v. (1944). Leonardo da Vinci. Berlin-Nideggen, Lambert Schneider. Gronau, G. (1914). Leonardo da Vinci, Duckworth & Co. ; E.P. Dutton & Co. Gronau, G. and F. Pledge (1920). Leonardo da Vinci. London, Duckworth & Co. Grothe, H. (1874). Leonardo da Vinci als Ingenieur and Philosoph : ein Beitrag zur Geschichte der Technik und der induktiven Wissenschaften. Berlin, Nicolaische. Grothe, H. (1874). Leonardo da Vinci als ingenieur und philosoph. Ein beitrag zur geschichte der technik und der induktiven wissenschaften von dr. Hermann Grothe, Nicolai. Grothe, H. (1974). Leonardo da Vinci als Ingenieur und Philosoph : ein Beitrag z. Geschichte d. Technik u. d. induktiven Wissenschaften. Walluf (bei Wiesbaden), Sändig. Gruitrooy, G. and Leonardo (1993). Da Vinci. Nashville, TN New York, Nelson Regency ; Prepared and produced by Magnolia Editions. Grünewald, U., D. Moraal, et al. (1998). Models of financing the continuing vocational training of employees and unemployed : documentation of a LEONARDO-project in cooperation with Denmark, Germany, the Netherlands and Norway. Bielefeld, Bertelsmann. Guardasoni, A. (1880). Della pittura, della stereoscopia e di alcuni precetti di Leonardo da Vinci, Società tip. Azzoguidi. Gubalke, A. (1953). Die leise Hand; Leonardo da Vincis Heiliges Abendmahl der Christenheit erklärt, Schneider. Guber, A. i. A. (1952). Leonardo da Vinchi, 1452-1519, Iskusstvo. Guber, A. i. A. (1960). Leonardo da Vinchi. Moskva, Gos. izd-vo izobrazitel*nogo iskusstva. Guber, A. i. A. and H.-c. Ni (1954). Lai-ao-na-to Ta Fen-ch*i chuan lüeh. Shang-hai, Hua-tung jen min mei shu ch*u pan she. Guerrini, M. and Biblioteca leonardiana. (1990). Bibliotheca leonardiana, 1493-1989. Milano, Editrice bibliografica. Guidance Associates. (1971). Humanities the age of Leonardo and Michelangelo. Pleasantville, N.Y., Guidance Associates. Discusses artistic and political genius in the late fifteenth and early sixteenth centuries as exemplified in the art of Leonardo, Raphael, Michelangelo, and Titian and the thought of Machiavelli. Guido, A. and Leonardo (1969). Símbolos e mitos na pintura de Leonardo da Vinci. Pôrto Alegre, Livraria Sulina Editôria. Guillerm, J.-P. (1981). Tombeau de Léonard de Vinci : le peintre et ses tableaux dans l'écriture symboliste et décadente. [Lille], Presses universitaires de Lille. Guillon de Montléon, A. (1811). Le Cénacle de Léonard de Vinci : rendu aux amis des beaux-arts, dans le tableau qu'on voit aujourd'hui chez un citoyen de Milan, it qui etoit ci-devant dans le refectoiré de l'insigne Chartreuse de Pavie : essai historique et psycologique. Milan, Louis Dumolard ... Ferdinand Antaria ... Guillot, R.-P. (1996). Léonard de Vinci : le mythe de l'androgyne. Paris, J. Grancher. Gukovski*i, M. A. (1947). Mekhanika Leonardo da Vinchi. Moskva, Izd-vo Akademii nauk SSSR. Gukovski*i, M. A. (1958). Leonardo da Vinchi : tvorcheska*i*a biografi*i*a. Leningrad, Gosudarstvennoe izdatel'stvo "Iskusstvo". Gukovski*i, M. A. (1959). Madonna Litta, kartina Leonardo da Vinc*i v Ermita*ze, Gosudarstvennoe izdatel'stvo "Iskusstvo ". Gukovski*i, M. A. and Gosudarstvenny*i *Ermitazh (Russia) (1959). Madonna Litta : kartina Leonardo da Vinchi v *Ermitazhe. Leningrad, "Iskusstvo". Gukovski*i, M. A. and Gosudarstvenny*i *Ermitazh (Soviet Union) (1963). Kolombina. Leningrad, Izd-vo Gosudarstvennogo *Ermitazha. Gundolf, F. (1907). Michelangelo und Leonardo. Berlin, Verlag von G. Stilke. Gustarelli, A. (1946). Leonardo da Vinci, A. Vallardi. Gustarelli, A. and V. Leonardo da (1939). Leonardo da Vinci : Cenni biografici, l'artista, lo scienziato, lo scrittore, alcune pagine analizzate. Milano, A. Vallardi. Guttuso, R., A. Moravia, et al. [Russi, pittori : 1969, 1971, 1973, cataloghi]. Guzzetta, A. J. Collecting Leonardo da Vinci books. Hagen, A. (1840). Leonhard da Vinci in Mailand. Leipzig, F.A. Brockhaus. Hager, S. and Georgetown University., Eds. (1992). Leonardo, Michelangelo, and Raphael in Renaissance Florence from 1500 to 1508. Washington, D.C., Georgetown University Press. Hahn, E. (1956). Leonardo da Vinci. New York, Random House. Hahn, E. and N. Brun (1967). Léonard de Vinci. Paris, Fernand Nathan. Hahn, H. J. (1946). The rape of La Belle, F. Glenn. Hahn, H. J. and T. H. Benton (1946). The Rape of La Belle. Kansas City, Mo., Frank Glenn Publishing co. inc. Hall, M. D. (1973). Reconsiderations of sculpture by Leonardo da Vinci: a bronze statuette in the J. B. Speed Art Museum, MCMLXXIII. Ham, D. R., M. Day, et al. (1995). Art history and art criticism. [Los Angeles, Calif.], J. Paul Getty Trust. Here is discipline-based art education in action. Episode A brings the viewer into Debra Barrett-Hayes' classroom in Tallahassee, Florida, a high school class in a very mixed socioeconomic neighborhood where the progressive is entwined with the "old South". Debra's uses the Mona Lisa as her take-off point to teach the value of research and critical thinking. Her lesson progresses to contemporary versions of the Mona Lisa and leads to the interpretation of modern art. Episode B steps inside Ethel Tracy's 2nd grade classroom in a primarily once-all black, now Hispanic, neighborhood, poor in educational resources but rich in folk art. Ethel's lesson is on the black artist, Romare Bearden. She elicits an analysis and appreciation of his work, and entwined in her teaching are lessons in history and music. While lacking in the material resources of other schools, Ethel's classroom exudes creative teaching and concern for each student and their future. Each episode includes detailed lesson plans, lists of topics, teaching methods, learning activities, and suggestions for how to use the films for teacher education and staff development. Hamburger Kunsthalle. and Windsor Castle. Leonardo da Vinci : anatomische Zeichnungen aus der königlichen Bibliothek auf Schloss Windsor. Hamer, M. (1980). Famous names in invention. Hove, Wayland. Hamerton, P. G. (1880). The intellectual life. With a portrait of Leonardo da Vinci, Roberts [Bros. ]. Hamerton, P. G. and L. Flameng (1876). The intellectual life : with a portrait of Leonardo da Vinci. Boston, Roberts Brothers. Hamilton, G. H., R. Lebel, et al. Marcel Duchamp lecture series. Documentation and transcriptions of the lectures. Harris, N. (1987). Leonardo and the Renaissance. New York, Bookwright Press. Traces the life and accomplishments of Leonardo da Vinci and discusses life in Renaissance Italy during the 14th & 15th centuries. Harris, N. and M. Salisbury (1987). Leonardo and the Renaissance. New York, Bookwright Press. Traces the life of the Italian artist and introduces the world of Renaissance Italy where, during the fourteenth and fifteenth centuries, a great flowering of art, culture, and learning took place. Hart, I. B. (1962). The world of Leonardo da Vinci, man of science, engineer and dreamer of flight, Viking Press. Hart, I. B. (1963). The mechanical investigations of Leonardo da Vinci. Hart, I. B. and V. Leonardo da (1964). Leonardo da Vinci : supreme artist and scientist. London, Weidenfeld & Nicolson. Hart, T. and S. Hellard (1994). Leonardo da Vinci. London, Gollancz Children's Paperbacks. Hasse, C. (1915). Plastische Bildwerke. Strassburg, J.H.E. Heitz. Hausenstein, W. (1916). Der Körper des Menschen in der Geschichte der Kunst. München, R. Piper. Hawaii. Dept. of Education. and Great Plains National Instructional Television Library. (1989). Artv. Lincoln, NE, Great Plains National Instructional Television Library. Presents two music videos featuring the works of Michelangelo and Leonardo da Vinci. Looks at works by Titian and includes a commercial featuring Raphael. Hay, H. H. (1933). Leonardo, lord of expression; a dramatic poem, Marrot. Hayward Gallery. (1989). Leonardo da Vinci : artist, scientist, inventor, Hayward Gallery. Hayward Gallery., South Bank Centre., et al. (1989). Leonardo da Vinci : Hayward Gallery, London, 26 January to April 1989. London, South Bank Centre : Distributed by Yale University Press. Heaton, C. and C. C. Black (1874). Leonardo da Vinci and his works. London and New York, Macmillan and co. Heaton, M. M. (1874). Leonardo da Vinci, and his works: consisting of a Life of V. London. Heaton, M. M. K., d. V. Leonardo, et al. (1874). Leonardo da Vinci and his works : consisting of a life of Leonardo da Vinci. New York, Macmillan. Heesvelde, F. v. (1962). Les signature de Léonard de Vinci dans ses oeuvres. Heesvelde, F. v. (1962). Les signatures de Léonard de Vinci dans ses oeuvres. [Anvers, [s. n.]. Heesvelde, F. V. A. N. (1962). Les signatures de Leonardo de Vinci dans ses Ïuvres, Impr. L. Blondé. Hegge Zijnen, B. A. J. v. d. (1919). De ingenieur Leonardo da Vinci 1452-2 Mei 1519. [Netherlands?], Overdruk uit het Technisch Tijdschrift. Hekler, A. (1927). Leonardo da Vinci. Budapest, Magyar Irodalmi Társaság. Helen Foresman Spencer Museum of Art. (1986). In Leonardo's shadow : drawings by his followers. [Lawrence, KS, Spencer Museum of Art University of Kansas ;. Hemmeter, J. C. (1927). Master minds in medicine; an analysis of human genius as the instrument in the evolution of great constructive ideas in the history of medicine, together with a system of historic methodology, Medical life press. Herbert E. Budek Films and Slides (Firm) and Creative Learning inc. Leonardo da Vinci. Illustrates the painting of Leonardo da Vinci, and discusses his artistic philosophy. With captions. Herbert, J. (1998). Leonardo da Vinci for kids : his life and ideas : 21 activies. Chicago, Ill., Chicago Review Press. Presents a biography of this prolific artist and inventor through projects in cartography, animal art, bird observation, and mask making. Herding, K. (1998). Freuds Leonardo : eine Auseinandersetzung mit psychoanalytischen Theorien der Gegenwart. München, Carl Friedrich von Siemens Stiftung. Herman, G. (1994). A comedy of murders. New York, Carroll & Graf. Herman, G. (1996). The tears of the Madonna. New York, Carroll & Graf. Herrera, J. I. (1979). Leonardo de Vinci. Madrid, Susaeta. Herrlinger, R. (1949). Die anatomische Abbildung bei Leonardo da Vinci. Hetz, A. Leonardo's movement studies and Eshkol-Wachmann notation. 9 p. Hevesy, A. d. L'histoire véridique de la Joconde. Hevesy, A. d. (1931). Autor de Léonard de Vinci : oeuvres retrouvées, oeuvres perdues. Hevesy, A. d. (1939). Pèlerinage avec Leonard de Vinci, Librairie de Paris Firmin-Didot et cie. Heydenreich, L., B. Dibner, et al. (1981). Leonardo inventore. [S.l], Giunti Barbèra. Heydenreich, L. H. Considerazioni intorno a recenti ricerche su Leonardo da Vinci. Heydenreich, L. H. (1929). Die Sakralbau-Studien Leonardo da Vinci's : Untersuchungen zum Thema: Leonardo da Vinci als Architekt. Engelsdorf-Leipzig, C. u. M. Vogel. Heydenreich, L. H. (1934). Studi archeologici di Leonardo da Vinci a Civitavecchia. Heydenreich, L. H. (1943). Leonardo, Rembrandt-verlag. Heydenreich, L. H. (1945). Arte e scienza in Leonardo. Milano, E. Bestetti. Heydenreich, L. H. (1949). I disegni di Leonardo da Vinci e della sua scuola, conservati nella galleria dell'Accademia di Venezia, Lange Domsch & c. Heydenreich, L. H. (1953). Leonardo da Vinci, Holbein-Verlag. Heydenreich, L. H. (1954). Leonardo da Vinci, by Ludwig H. Heydenreich, Macmillan. Heydenreich, L. H. (1958). Leonardo da Vinci: Das Abendmahl, Reclam. Heydenreich, L. H. (1971). Die Sakralbau-Studien Leonardo da Vinci's; Untersuchungen zum Thema: Leonardo da Vinci's als Architekt, W. Fink. Heydenreich, L. H. (1974). Leonardo: The last supper, Viking Press. Heydenreich, L. H. (1982). La última cena de Leonardo da Vinci. Madrid Cuenca, Alianza ; Cero Ocho. Heydenreich, L. H., Biblioteca leonardiana., et al. (1963). Leonardo architetto : II lettura vinciana, Vinci, Biblioteca leonardiana, 15 aprile 1962. Firenze, B. Marzacco. Heydenreich, L. H., B. Dibner, et al. (1981). Leonardo the inventor. London, Hutchinson. Heydenreich, L. H. and International Business Machines Corporation. Fine Arts Dept. (1951). Leonardo da Vinci : biographical sketch by Ludwig Heinrich Heydenreich ; models built by Roberto A. Guatelli. [s.l.], Ibm. Heydenreich, L. H. and J. B. Speed Art Museum. (1951). Leonardo da Vinci. [New York], International Business Machines Corporation. Heydenreich, L. H. and J.B. Speed Art Museum. (1951). Leonardo da Vinci : an exhibition of his scientific achievements. [New York], International Business Machines Corporation. Heydenreich, L. H. and Leonardo (1954). Leonardo da Vinci. Basel, Holbein-Verlag. Heydenreich, L. H. and Leonardo (1974). Visualized knowledge : an interpretation of Leonardo's Madrid Codices : a sepcial address given to commemorate a preview of original folios from the Madrid Manuscripts of Leonardo da Vinci. Switzerland, McGraw Hill. Heydenreich, L. H. and Leonardo (1974). Leonardo - 'The Last Supper', Allen Lane. Heydenreich, L. H., Leonardo, et al. (1982). Invito a Leonardo, l'ultima cena. Milano, Rusconi Immagini. Heydenreich, L. H., Leonardo, et al. (1981). Leonardo der Erfinder. Zürich, Belser. Heydenreich, L. H., Leonardo, et al. (1987). Leonardo-Studien. München, Prestel-Verlag. Heydenreich, L. H. and G. Passavant (1988). Leonardo-Studien. München, Prestel-Verlag. Heydenreich, L. H., L. Reti, et al. (1981). Leonardo inventore. [Italy], Giunta Barbèra. Heynen, J., P. Krutisch, et al. (1978). "Mona Lisa im 20. Jahrhundert": [Ausstellungskatalog] Wilhelm-Lehmbruch-Museum der Stadt Duisburg, 24.9.-3.12.1978. Duisburg, Wilhelm-Lehmbruck-Museum. Heynen, J., P. Krutisch, et al. (1978). Mona Lisa im 20. Jahrhundert : [Ausstellung], Wilhelm-Lehmbruck-Museum der Stadt Duisberg, 24. 9.-3. 12. 1978. Duisburg, Das Museum. Heynen, J., P. Krutisch, et al. (1978). Mona Lisa im 20. Jahrhundert : [Ausstellung], Wilhelm-Lehmbruck-Museum der Stadt Duisburg, 24. 9.-3. 12. 1978. Duisburg, Das Museum. Hildebrandt, E. (1927). Leonardo da Vinci, der künstler und sein werk. Berlin, G. Grote. Hilpert, T. (1988). Geometrie der Architekturzeichnung : Einführung in Axonometrie und Perspektive nach Leonardo da Vinci, Gerrit Rietveld, Friedrich Weinbrenner, Albrecht Dürer, Le Corbusier, El Lissitzky. Braunschweig, F. Vieweg & Sohn. Hind, C. L. (1907). Drawings of Leonard da Vinci. London New York, G. Newnes ; C. Scribner's Sons. Historical Briefs Inc. (1978). Leonardo DaVinci. Peekskill, N.Y., Historical Briefs Inc. Hoerth, O. (1907). Das Abendmahl des Leonardo da Vinci, K.W. Hiersemann. Hoerth, O. (1907). Das Abendmahl des Leonardo da Vinci : Ein Beitrag zur Frage seiner künstlerischen Rekonstruktion. Leipzig, Druck Emil Herrmann sen. Hohenstatt, P. and Leonardo (1998). Leonardo da Vinci : 1452-1519. Köln, Könemann. Holcomb, D. T. (1959). A study of posture and gesture in the figures of Leonardo da Vinci. Holl, M. (1905). Leonardo da Vinci und Vesal. Holl, M. (1905). Ein Biologe aus der Wende des XV. Jahrhunderts, Leonardo da Vinci, Leuschner & Lubensky. Holmes, C. J. Leonardo da Vinci. Holmes, C. J. (1919). Leonardo da Vinci, by C.J. Holmes, Pub. for the British academy by H. Milford Oxford university press. Hopstock, H. (1919). Anatomen Leonardo : død 2. mai 1519. Christiania, Steen. Hosaaaye, A. (1869). Histoire de Léonard de Vinci. Paris, Didier. Houssaye, A. (1876). Histoire de Léonard de Vinci, Didier. Hribar, M. N., G. C. Argan, et al. (1990). Da Vinci, Michelangelo, Raphael, Titian. Huntsville, TX, Educational Video Network. Discusses the Renaissance period, covering artists Da Vinci, Michelangelo, Raphael, Titian and Giorgione, showing the works in Florence, Rome and Venice. Hsiao, T. u. and P. Hou (1991). Ta Fen-ch*i = Leonardo da Vinci. Shen-yang shih, Liao-ning shao nien erh t*ung. Huard, P. (1961). Léonard de Vinci: dessins anatomiques (anatomie artistique, descriptive et fonctionnelle). Paris, R. Dacosta. Huard, P. A. (1968). Léonard de Vinci : dessins anatomiques (anatomie artistique, descriptive art fonctionnelle). Paris, R. Dacosta. Huard, P. A. (1968). Léonard de Vinci, dessins anatomiques (anatomie artistique, descriptive et fonctionnelle), R. Dacosta. Huard, P. A. and V. Leonardo da (1968). Léonard de Vinci, dessins anatomiques (anatomie artistique, descriptive et fonctionnelle), R. Dacosta. Hubbard, E. (1902). Little journeys to the homes of eminent artists. East Aurora, N.Y., The Roycrofters. Hubbard, E. (1902). ...Leonardo. East Aurora, N.Y., The roycrofters. Hubbard, E. and Roycroft Shop. (1910). Little journeys to the homes of great geniuses: Leonardo. East Aurora, New York, The Roycrofters ... Hubbard, E. and Roycrofters East Aurora N. Y. (1910). Little journeys to the homes of great geniuses, The Roycrofters. Hubbard, E., S. Warner, et al. (1902). Little journeys to the homes of eminent artists, Leonardo. East Aurora, N.Y., The Roycrofters. Hubbard, E., S. Warner, et al. (1902). Little journeys to the homes of eminent artists. East Aurora, N.Y., The Roycrofters. Hüttel, R. (1994). Spiegelungen einer Ruine : Leonardos Abendmahl im 19. und 20. Jahrhundert. Marburg, Jonas Verlag. Huyghe, E., R. Huyghe, et al. (1988). Léonard de Vinci : le cheval et la puissance. Lausanne, Suisse, Caracole/Favre. Huyghe, R. (1953). Connaissance de Léonard de Vinci, Le Cercle français d'art. Huyghe, R. (1974). Léonard de Vinci, La Joconde : musée du Louvre. Fribourg, Office du livre. Huyghe, R. (1974). Laeonard de Vinci, La Joconde : musaee du Louvre. Fribourg, Office du livre. Hwang, O. h. o. (1987). Leonar*udo da Pinch*i. S*oul T**ukpy*olsi, Tonga Ch*ulp*ansa. IBM Canada. (1987). Léonard de Vinci, l'itinéraire de la connaissance. [Montréal], Ibm. Illinois. Southern Illinois Univeristy Carbondale. and G. K. Plochmann, Eds. (1953). The resources of Leonardo da Vinci ; papers delivered at Southern Illinois University, November 12-15th, 1952. Illinois. Southern Illinois University Carbondale Ill. (1953). The resources of Leonardo da Vinci; papers delivered at Southern Illinois University November 12th-15th, 1952. Illinois. Southern Illinois University Carbondale. and G. K. Plochmann (1953). The resources of Leonardo de Vinci; papers delivered at the Southern Illinois University, November 12-15th, 1952. Illinois. Southern Illinois university Carbondale. and G. K. Plochmann, Eds. (1953). The resources of Leonardo da Vinci; papers delivered at Southern Illinois university, November 12th-15th, 1952. Im, Y. o.-b. (1972). Leonar*udo = Leonardo da Vinci. S*oul T**ukpy*olsi, Han*guk Ilbosa. Imperatori, C. J. Leonardo da Vinci's contribution to laryngology, rhinology and phonetics. Ingold, F. P. (1977). Panamarenko: Flugobjekte Und Zeichnungen, Arnold Bocklin, Leonardo Da Vinci, Wladimir Tatlin: Flugmodelle, Plane Und Fotos. [Basel, Switzerland, Kunsthalle Basel. Institut de France Paris. Bibliothèque. (1960). Manuscrit no.2175 [de la] Bibliothèque de l'Institut de France. Institut Léonard de Vinci Amboise France. and Tours France. Musée des beaux-arts. (1954). Catalogue de l'exposition des éditions des Carnets Léonard de Vinci du XVIIe à nos jours... Tours, Musée des beaux-arts, juillet-novembre 1954. International Association of Microbiological Societies. Permanent Section of Microbiological Standardization. and Museo nazionale della scienza e della tecnica "Leonardo da Vinci." (1968). XI International Congress of Microbiological Standization : Milan, September 16th-19th, 1968 : abstracts of communications. [Milanese], Istituto sieroterapico milanese S. Belfanti. International Business Machines Canada. Leonardo da Vinci, engineer, IBM Canada. International Business Machines Corporation. Leonardo da Vinci : [traveling exhibition]. [Armonk, N.Y., the Author. International Business Machines Corporation. (1951). Leonardo da Vinci [catalogue of the collection of the Fine Arts Dept. International Business Machines Corporation. (1951). Leonardo da Vinci. International Business Machines Corporation. (1965). Leonardo da Vinci. [Exhibition] IBM Gallery, New York City, Oct. 11-30, 1965. International Business Machines Corporation. and L. H. Heydenreich (1951). Leonardo da Vinci. [An exhibition.], Fin Arts Dept. International Business Machines Corp. International Business Machines Corporation., Leonardo, et al. Leonardo da Vinci. [An exhibition of models built from his scientific and technical drawings. International Business Machines Corporation. and R. B. K. McLanathan (1951). Leonardo da Vinci, 1452-1519 : [traveling exhibition]. Armonk, N.Y., International Business Corporation. International Business Machines Corporation. and R. B. K. McLanathan (1966). Leonard da Vinci. International Business Machines Corporation. and R. B. K. McLanathan (1968). Leonardo da Vinci: models based on the Madrid manuscripts. [Exhibition] December 9, 1968 to January 18, 1969, [IBM Gallery. International Business Machines Corporation. and Vision Associates. (1983). I, Leonardo. Armonk, NY, The Corporation. Communicates the range and unique quality of the mind of Leonardo da Vinci through the eyes of his contemporaries and his own writings, thoughts, and insights on the natural and physical aspects of the world. Creates visual essays on such diverse subjects as flight, water, architecture, and horses, among others. International Business Machines Corporation. Department of Arts and Sciences. and V. Leonardo da Leonardo da Vinci, 1452-1519. International Business Machines Corporation. Department of Arts and Sciences. and V. Leonardo da Leonardo da Vinci. International Business Machines Corporation. Dept. of Arts and Sciences. (1967). Leonardo da Vinci. New York, Ibm. International Business Machines Corporation. Dept. of Arts and Sciences. and L. H. Heydenreich (1951). Leonardo da Vinci. International Business Machines Corporation. Dept. of Arts and Sciences., Leonardo, et al. Leonardo da Vinci. New York, N.Y., Dept. of Arts and Sciences International Business Machines Corp. International Business Machines Corporation. Dept. of Arts and Sciences. and R. B. K. McLanathan (1966). Leonardo da Vinci : [touring exhibition]. [New York, The Dept. International Business Machines Corporation. Fine Arts Dept. (1951). Leonardo da Vinci. [New York, Collections of the Fine Arts Dept. International Business Machines Corp. International Business Machines Corporation. Fine Arts Dept., R. Guatelli, et al. (1951). Leonardo da Vinci, an exhibition of his scientific achievements : collections of the Fine Arts Department, International Business Machines Corporation. [New York?], Ibm. International Business Machines Corporation. Fine Arts Dept. and L. H. Heydenreich (1951). Leonardo da Vinci [exhibition], N.Y. International Business Machines Corporation. Fine Arts Dept. and L. H. Heydenreich (1951). Leonardo da Vinci; an exhibition of his scientific achievements constructed by Roberto Guatelli with an introduction by L. H. Heydenrich. International Council of Museums. Comitato nazionale italiano. and Museo nazionale della scienza e della tecnica "Leonardo da Vinci." (1995). I musei italiani verso l'Europa : atti del convegno internazionale : Milano, Museo nazionale della scienza e della tecnica "Leonardo da Vinci", 19-20 novembre 1993. Fiesole (Firenze), Amalthea. *Iolova, V. A. (1979). Leonardo da Vinchi, 1452-1519 : metodicheski i bibliografski materiali za bibliotekite. Sofi*i*a, Narodna biblioteka "Kiril i Metodi*i". Isbouts, J.-P., Philips Interactive Media of America (Firm), et al. (1997). The Renaissance of Florence. [Paris, France] [Princeton, N.J.], E.M.M.E. Interactive ; Distributed by Films for the Humanities & Sciences. A tour of Renaissance Florence using video clips, still images, hot-linked textual references, and audio commentary showcasing paintings sculptures, architecture and more. Isouard, N., É. J. B. Delrieu, et al. (1831). Arien und Gesänge aus Michel Angelo : Singspiel in einem Akt. Berlin, [s.n.]. Istituto di studi vinciani (Rome Italy) (1919). Per il IVo centenario della morte da Leonardo da Vinci, Istituto italiano d'arti grafiche. Istituto di studi vinciani (Rome Italy) and M. Cermenati (1919). Per il IVo centenario della morte di Leonardo da Vinci : 11 maggio MCMXIX. Bergamo, Istituto italiano d'arti grafiche. Istituto di studii Vinciani Rome. (1925). Pubblicazioni dell' Istituto Vinciano. Istituto di studii Vinciani Rome. and M. Cermenati (1919). Per il IVo Centenario della morte di Leonardo da Vinci, il maggio MCMXIX, Istituto italiano d'arti grafiche. Istituto di studii Vinciani Rome. and M. Cermenati (1923). Pubblicazioni. Bologna, N. Zanichelli[ Istituto do studi Vinciani in Roma. (1919). Per il IVo centenario della morte, Istituto italiano d'arti grafiche. Istituto geografico De Agostini. Leonardo da Vinci : edizione cvrata dalla Mostra di Leonardo da Vinci in Milano. Novara, Istitvto geografico De Agostini. Istituto industriale Leonardo da Vinci. (1952). Leonardo, in occasione del quinto centenario della nascita, Marzocco. Istituto Industriale Leonardo da Vinci. (1960). Istituto Industriale Leonardo da Vinci, 1960, Tip. Ist. professionale Leonardo da Vinci. Istituto professionale industria artigianato Leonardo da Vinci Firenze. and Istituto tecnico industriale Leonardo da Vinci Firenze. (1998). Nuovi contatti. Firenze, Comune. Istituto vinciani in Roma. (1919). Per il IV?p0?s. centenario della morte di Leonardo da Vinci, II maggio MCMXIX, Istituto italiano d'arti graffiche. Istituto vinciano in Roma. (1919). Per il IV. Centenario della morte di Leonardo da Vinci, il maggio MCMXIX, Istituto italiano d'arti grafiche. Istituto vinciano in Roma. (1919). Per il IV|o [i.e. quarto] centenario della morte di Leonardo da Vinci, II maggio MCMXIX. Bergamo, Istituto italiano d'arti grafiche. Italy. Direzione generale per le antichità e belle arti. (1952). Mostra didattica leonardesca, 1952, Tip. del Babuino. Italy. Ufficio regionale per la conservazione dei monumenti della Lombardia. (1906). Le vicende del Cenacolo di Leonardo da Vinci nel secolo XIX, [Tip. U.Allegretti]. Iwai, H. and I. o. Morimoto (1977). Reonarudo to kaib*o = [Leonardo da Vinci and anatomy]. Tokyo, Iwasaki Bijutsusha. J. Paul Getty Museum., C. Pedretti, et al. Leonardo da Vinci : nature studies from the Royal Library at Windsor Castle. Jackschath, E. (1902). Die Begründung der modernen Anatomie durch Leonardo da Vinci und die Wiederauffindung zweier Schriften desselben. Jacobsen, R. (1950). De magiër der duizend kunsten : het leven van Leonardo da Vinci. Arnhem, Van Loghum Slaterus. Jacobsen, R. and L. d. Vinci (1950). ...De magiër der duizend kunsten; het leven van Leonardo da Vinci, Van Loghum Slaterus. Jacques, P. (1889). Notice raisonnée sur un Bacchus de Léonard de Vinci. Namur, J. Godenne. Jacques, P. and Leonardo (1889). Notice raisonée sur un Bacchus de Léonard de Vinci. Liége, J. Godenne. Jameson (1895). Memoirs of the early Italian painters, Houghton Mifflin. Jameson, Ticknor and Fields, et al. (1865). Sacred and legendary art. Boston, Ticknor and Fields. Janowitz, G. J. (1986). Leonardo da Vinci, Brunelleschi, Dürer : ihre Auseinandersetzung mit der Problematik der Zentralperspektive. Einhausen, Hübner. Janson, D. J., L. H. Heydenreich, et al. (1954). Leonardo da Vinci. London New York Basel, G. Allan & Unwin Ltd ; Macmillan Co. ; Holbein-Verlag. Japers, K. and K. Jaspers (1956). Leonardo como filósofo. Buenos Aires, Sur. Jaspers, K. (1953). Lionardo als Philosoph, Francke. Jaspers, K. (1960). Leonardo como filósofo, Sur. Jaspers, K. (1964). Three essays: Leonardo, Descartes, Max Weber, Harcourt Brace & World. Jaspers, K. (1965). Leonardo, Descartes, Max Weber; three essays, Routledge & K. Paul. Jaspers, K. (1966). Leonardo en Nietzsche. Antwerpen, Spectrum. Jaspers, K. and F. Masini (1988). Leonardo filosofo. Milano, Se. Jaubert, A., J. C. Desnoux, et al. (1989). The Smile and the interweave, Madonna, Child and Saint Anne (circa 1500-1515) Leonardo da Vinci, Vinci 1452-Amboise 1519. Chicago, Ill., Distributed by Encyclopaedia Britannica Educational Corp. An intellectual examination and analysis of the complex painting Madonna, Child and Saint Anne by Leonardo da Vinci, now in the Louvre. Jaubert, A. and Films for the Humanities (Firm) (1998). Leonardo da Vinci. Princeton, N.J., Films for the Humanities & Sciences. Examines ten elements in da Vinci's "The Virgin, the Infant Jesus, and Saint Anne : darkness and light, volume and color, figure and setting, distance, proximity, movement, and rest. Jaubert, A., Musée du Louvre., et al. (1991). The Smile and the interweave, Madonna, child and Saint Anne (circa 1500-1515) Leonardo da Vinci, Vinci 1452-Amboise 1519. Chicago, Ill., Distributed by Encyclopaedia Britannica Educational Corp. An examination of this complex painting by Leonardo da Vinci. Jílek, F. s. (1982). Mu*z z Vinci. Praha, *Cs. spis. Jones, T. S. and Mosher Press. (1930). Leonardo da Vinci, and other sonnets. Portland, Me., The Mosher Press. Jordan, M. (1872). Untersuchungen über das Malerbuch des Lionardo da Vinci, Druck von C. Grumbach. Jordan, M. (1873). Das Malerbuch des Lionardo da Vinci. Untersuchung der Ausgaben und Handschriften, E.A. Seemann. Jordan, M. (1873). Das Malerbuch des Lionardo da Vinci; Untersuchung der Ausgahen und Handschriften. Leipzig, E.A. Seeman. Jotti Leonardo da Vinci : l'uomo, l'artista, lo scienziato, la vita, gli studi, le opere. Milano, Edizioni nazionali. Kallen, S. A. and P. M. Boekhoff (2000). Leonardo da Vinci. San Diego, CA, Lucent Books. A biography of the well-known Italian Renaissance man, discussing his personal life, artistic accomplishments, scientific observations, and final legacy. Karátson, G. (1973). Így élt Leonardo da Vinci. Budapest, Móra K*onyvkiadó. Karátson, G. (1975). Hármaskép : Leonardo, Grünewald, Vajda Lajos. Budapest, Magvet*o. Katagiri, N. (1999). Reonarudo da binchi fukkatsu saigo no bansan. T*oky*o, Sh*ogakukan. Kawaguchi, K. (1997). Kokoro. T*oky*o, K*odansha. A story about young Leonaro Da Vinci and his works. Keele, K. D. (1951). Leonardo da Vinci, and the movement of the heart. Keele, K. D. (1952). Leonardo da Vinci on movement of the heart and blood. Philadelphia, J.B. Lippincott. Keele, K. D. (1959). The genesis of Mona Lisa. [New York?, H. Schuman? Keele, K. D. (1964). Leonardo da Vinci's influence on Renaissance anatomy. Keele, K. D. (1979). "Leonardo's Anatomia naturale". New Haven, Yale Journal of Biology and Medicine. Keele, K. D. (1983). Leonardo Da Vinci's elements of the science of man. London, Academic. Keele, K. D., Beaumont Medical Club., et al. (1979). Leonardo's anatomia naturale. [Conn.], Yale Journal of Biology and Medicine. Keele, K. D. and Leonardo (1952). Leonardo da Vinci on movement of the heart and blood, Harvey and Blythe. Keele, K. D. and Leonardo (1978). Leonardo da Vinci and the art of science. [England], Wayland. Keele, K. D., Leonardo, et al. (1978). Leonardo da Vinci, corpus of the anatomical studies in the collection of Her Majesty the Queen at Windsor Castle. London [New York], Johnson Reprint Co. ; Harcourt Brace Jovanovich. Keele, K. D. and d. V. Leonardo (1983). Leonardo da Vinci's elements of the science of man. New York, Academic Press. Kellogg, M. K. (1864). Documents relating to a picture by Leonardo da Vinci entitled "Herodias" (from the Mariahalden gallery). London, [s.n.]. Kellogg, M. K. (1864). Documents relating to a picture by Leonardo da Vinci, entitled "Herodias" [microform] : (from the Mariahalden Gallery). London, W. Allen. Kemenov, V. S. (1989). Khudozhestvennoe nasledie i sovremennost* : ot Leonardo da Vinci do Roku*ella Kenta. Moskva, "Izobrazitel*noe iskusstvo". Kemp, M., 'A Drawing for the Fabrica and Some Thoughts on the Vesalius Muscle-Men', Medical History, XIV, 1970, pp. 277-88 Kemp, M., Dr. William Hunter at the Royal Academy of Arts, Glasgow University Press, 1975. Kemp, M., 'Dr. William Hunter on the Windsor Leonardos and his Volume of Drawings Attributed to Pietro da Cortona', The Burlington Magazine, CXVII, 1976, pp. 228-31. Kemp, M., 'Science, Non-Science and Nonsense: the Interpretation of Brunelleschi's Perspective', Art History, I, 1978, pp. 134-161. Kemp, M., 'Glasgow University, Bicentenary Celebrations of Dr. William Hunter' (1718-83), The Burlington Magazine, No. CXXV, 1983, pp. 380-3. Kemp, M., 'Red, Yellow and Blue: the Limits of Colour Science in Painting', The Natural Sciences and the Arts, ed. A. Ellenius (Acta Universitatis Uppsaliensis no. 22), Uppsala, 1984, pp. 98-105. Kemp, M., 'Geometrical Perspective from Brunelleschi to Descartes: a Pictorial means or an Intellectual End?' (Aspects of Art Lecture, 1984), Proceedings of the British Academy, (1984), LXX, 1985, pp. 89-132. Kemp, M., 'Simon Stevin and Pieter Saenredam: A Study of Mathematics and Vision in Dutch Science and Art', The Art Bulletin, LXVIII, 1986, pp. 237-51. Kemp, M., 'Perspective and Meaning: Illusion, Allusion and Collusion', Philsophy and the Visual Arts, ed. A. Harrison, Dordrecht, 1987,pp. 255-68. Kemp, M., The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat, Yale University Press 1990, reprinted with revisions 1992; in Italian as La Scienza dell'arte. Prospettiva e percezione visiva da Brunelleschi a Seurat, Giunti, Florence, 1994; in Spanish as La Ciencia del Arte. La óptica en la arte occidental de Brunelleschi a Seurat, Ediciones Alkal,, Madrid, 2000. Kemp, M., 'Geometrical Bodies as Exemplary Forms in Renaissance Space', World Art. Themes of Unity in Diversity (Acts ofthe XXVI International Congress for the History of Art, Washington, 1986, ed. I. Lavin, Pennsylvania and London, I, 1989, pp. 237-41. Kemp, M., 'Taking it on Trust: Form and Meaning in Naturalistic Representation', Archives of Natural History, XVII, 1990, pp. 127-88. Kemp, M., '"La diminutione di ciasun piano": la rappresentazione delle forme nello spazio di Francesco di Giorgio', Prima di Leonardo exhibition catalogue, ed. P. Galluzzi, Palazzo Comunale, Siena, 1991, pp.105-12. Kemp, M., 'Prescriptions for Painting: '"Optical Information" in Art from the Renaissance to the Late Nineteenth Century', Kungl. Vitterhets Historie och Antikvitets Akademiens Konferenser (Stockholm), XXIII, 1991, pp. 9-28. Kemp, M., 'Intellectual Ornaments: Style, Interpretation and Function and Society in Some Instruments of Art', Interpretation and Cultural History, ed. J. Pittock and A. Wear, London, 1991, pp. 135-152 Kemp, M., '"The Mark of Truth": Looking and Learning in some Anatomical Illustrations from the Renaissance and the Eighteenth Century', Medicine and the Five Senses, ed. W. Bynum and R. Porter, Cambridge, 1993, pp. 85-121. Kemp, M., '"Philosophy in Sport" and the "Sacred Precincts': Sir David Brewster on the Kaleidoscope and Stereoscope', Muse and Reason. The Relation of Arts and Sciences 1650-1850, ed. B. Castel, J. Leith and A. Riley, Kingston (Ontario), 1994, pp.203-32 (with Appendix by B. Pert) Kemp, M., 'Piero and the Idiots: the Early Fortuna of his Theories', 'Monarca della pittura'. Piero della Francesca and his Legacy, ed. M. Lavin, National Gallery, Washington, 1995, pp.199-211. Kemp, M., Bodyscapes. Images of Human Anatomy from the University of St. Andrews, exhibition and catalogue, Crawford Centre, 1995. Kemp, M., 'Spirals of Life: D'Arcy Thompson and Theodore Cook, with Leonardo and Dürer in Retrospect', Physis, XXXII, 1995, pp. 37-54. Kemp, M., 'New Light on Old Theories: Piero della Francesca and the Transmission of Light', Piero della Francesca tra arte e scienza, ed. M. Dalai Emiliani and V. Curzi, Venice, 1996, pp. 33-46. Kemp, M., 'Temples of the Body and Temples of the Cosmos: Vision and Visualisation in the Vesalian and Copernican Revolutions', for volume on Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science, ed. B. Baigrie, Toronto, 1996, pp. 40-85. Kemp, M., '"Wrought by No Artist's Hand": the Natural, Artificial and Exotic in Some Artefacts from the Sixteenth Century', Reframing the Renaissance: Visual Culture in Europe and Latin America, 1450-1650, ed. C. Farago, New Haven and London, 199, pp. 177-96. Kemp, M., '"Implanted in our Natures": Humans, Plants and the Stories of Art', Visions of Empire. Voyages, Botany and Representations of Nature, ed. D. Miller, Los Angeles, 1996, pp. 197-229. Kemp, M., 'Doing What Comes Naturally: Morphogenesis and the Limits of the Genetic Code', Art Journal, ed. B. Sichel and E. Levy, Spring 1996, pp.27-32. Kemp, M., 'The Ambiguous Object: the Perception of Artefacts within Changing Taxonomies', The World, the Image and Aesthetic Experience. Interdisciplinary Perspectives on Perception and Understanding, ed. C. Murath and S. Price, Bradford, 1996, pp. 193-222. Kemp, M., 'In the Light of Dante: Meditations on Natural Light and Divine Light in Piero della Francesca, Raphael and Michelangelo', Ars naturam adiuvans. Festschift für Matthias Winner, ed. V. von Flemming and S, Schütze, 1996, pp. 160-77. Kemp, M., 'Art and Science, The Art Quarterly, Spring 1996, pp. 33-5. Kemp, M., 'Seeing Subjects and Picturing Science: Visual Representation in 20th-Century Science', for 20th- Century Science, ed. J. Krige and D. Pestre, Amsterdam, 1997, pp. 361-90. Kemp, M., 'Medicine in View: Art and Representation', for Western Medicine. An Illustrated History, ed. I. Loudon, Oxford, 1997, pp. 1-24. Kemp, M., 'Parading the Horse', The Art Quarterly, XXX, 1997, pp. 24-31. Kemp, M., 'Hidden Dimensions', 'tate'. The Art Magazine, 13, 1997, pp. 40-4. Kemp, M., 'Art and Science', 28 articles in weekly series in Nature from 23 October 1997, to 30 April 1998 (essays on topics from the Renaissance to now) Kemp, M., 'Science and Image', 36 articles in weekly series in Nature from 7 May 1998 to Dec 1998 (essays on the visual aspects of the sciences from the Renaissance to now) Kemp, M., 'Science and Culture', continuing series of monthly articles in Nature from Jan 1999. Kemp, M., ''Palissy's Philosophical Pots: ceramics, grottos and the "Matrice" of the earth', Le origini della Modernità, ed. W. Tega, 2 vols., Florence, 1999, pp. 69-88 Kemp, M., Imagine e Verità. Per una storia dei rapporti fra arte e scienza, Il Saggiatore, Milan, 1999. Kemp, M., Introductory essay in The Physician's Art. Representations in Art and Medicine, Duke Univeristy Medical Centre, 1999, pp.13-19. Kemp, M., with Debora Schultz, 'Us and Them, This and That, Here and There, Now and Then: Collecting, Classifying and Creating', Strange and Charmed. Science and the Contemporary Visual Arts, ed. S. Ede, London, 2000, pp.84-103. Kemp, M., 'Il concetto dell'anima in Leonardo's Early Skull Studies', Journal of the Warburg and Courtauld Institutes, XXXV, 1971, pp. 155-34. Kemp, M., 'Dissection and Divinity in Leonardo's Late Anatomies', Journal of the Warburg and Courtauld Institutes, XXXV, 1972, pp. 200-25. Kemp, M., 'Ogni dipintore dipinge se: A Neoplatonic Echo in Leonardo's Art Theory?', in Cultural Aspects of the Italian Renaissance: Essays in Honour of Paul Oskar Kristeller, ed. C.H. Clough, Manchester, 1976, pp. 3 11-23. Kemp, M., 'Leonardo and the Visual Pyramid', Journal of the Warburg and Courtauld Institutes, XXXIX, 1977, pp. 128-49. Kemp, M., 'Navis Ecclesiae: an Ambrosian metaphor in Leonardo's Allegory of the 1515 Concordat', Bibliothèque d'Humanisme et Renaissance, XLIII, 1981, pp. 257-268. Kemp, M., 'Leonardo's Leda and the Belvedere River Gods: Roman Sources and a New Chronology' (written jointly with Professor Alastair Smart of Nottingham) Art History, II, June 1980, pp. 182-193. Kemp, M., Leonardo da Vinci: The Marvellous Works of Nature and Man, London and Cambridge (Mass), 1981. (Mitchell Prize 1981), reprinted with minor revisions, 1989; revised edition to be published by Yale University Press. Kemp, M., Leonardo da Vinci: le mirabili operazioni della natura e dell'uomo, Milan, 1982. Kemp, M., 'The Crisis of Received Wisdom in Leonardo's late Thought/La crisi del sapere tradizionale nell'ultimo Leonardo', in Leonardo e l'Eta della Ragione, ed. E. Bellone and P. Rossi, Milan, 1982, 27-52. Kemp, M., 'Leonardo dopo Milano', The Burlington Magazine, No. CXXIV, 1982 p. 788. Kemp, M., 'Leonardo's Maps and the "Body of the Earth"', Bulletin of the Society of University Cartographers, XVII, 1984, pp. 9-19. Kemp, M., 'Leonardo da Vinci: Science and Poetic Impulse', Journal of the Royal Society of Arts (Selwyn Brinton Lecture), CXXXIII, 1985, pp. 196-214. Kemp, M., 'Analogy and Observation in the Codex Hammer', Studi Vinciani in Memoria di Nando di Toni, ed. M. Pedini, Brescia, 1986, pp. 103-34. Kemp, M., 'The Inventions of Nature and the Nature of Invention'', Leonardo. Engineer and Architect, ed. P. Galluzzi, Montreal, 1987 (in French as `Les Inventions de la nature et la nature de l'invention'), Leonardo da Vinci. Ingénieur et architecte, pp. 141-44. Kemp, M., 'Late Leonardo: Problems and Implications', Art Journal, XLVII, 1987, pp. 94-102. Kemp, M., '"A Chaos of Intelligence": Leonardo's Trattato and the Perspective Wars in the Académie Royale', 'Il se rendit en Italie'. Etudes Offertes à André Chastel, Paris, 1987. Kemp, M., 'Leonardo e lo spazio dello scultore', XXVII, Lettura Vinciana, (Vinci, 1987), Florence, 1988. Kemp, M., 'Clark's Leonardo' in edition of K. Clark, Leonardo da Vinci, ed. M. Kemp, Harmondsworth, 1988. Kemp, M., Leonardo on Painting. An anthology of writings by Leonardo da Vinci with a selection of documents relating to his career as an artist, ed. M. Kemp, selected & trs. by M. Kemp and Margaret Walker, Yale University Press, 1989. Kemp, M., Leonardo da Vinci. Artist, Scientist, Inventor, catalogue of exhibition at the Hayward Gallery, London, 1989, ed. M. Kemp, with essays by E.H. Gombrich, J. Roberts, P. Steadman, M. Kemp and catalogue by M. Kemp (with J. Roberts), published as Leonardo da Vinci, Yale University Press. Kemp, M., 'Leonardo da Vinci: motions of life in the lesser and greater worlds', Nine Lectures on Leonardo da Vinci, ed. F. Ames-Lewis, London, 1990, pp. 10-21. Kemp, M., 'Looking at the Last Supper', Appearance, Opinion, Change: Evaluating the Look of Paintings, London, 1990, pp. 14-21. Kemp, M., 'Cristo Fanciullo', Achademia Leonardi Vinci, IV, 1991, PP. 171-6. Kemp, M., 'Leonardo verso il 1500', Leonardo & Venezia, exhibition catalogue, Palazzo Grassi, Venice, 1992, pp. 45-54. Kemp, M., 'The Madonna of the Yarnwinder in the Buccleuch Collection reconstructed in the context of Leonardo's Studio Practice', I Leonardeschi a Milano: fortuna e collezionismo, ed. M.T. Fiorio and P. Marani, Milan, 1991, pp. 35-48. Kemp, M., Leonardo da Vinci. The Mystery of the Madonna of the Yarnwinder, with A. Thereza Crowe, exhibition catalogue, National Gallery of Scotland, Edinburgh, 1992. Kemp, M., 'The National Gallery of Scotland's First Leonardo', National Art Collections Fund. Annual Report, LXXXVIII, 1992, pp. 16-20. Kemp, M., '"Hostinato Rigore", Valéry's Leonardo from Vincian Perspective', Forschungen zu Paul Valéry, IV, 1991, pp. 25-46. Kemp, M., 'In the Beholder's Eye: Leonardo and the "Errors of Sight" in Theory and Practice' (Hammer Prize Lecture), Achademia Leonardi Vinci, V, 1992, pp. 153-62. Kemp, M., 'From Scientific Analysis to the Renaissance Market: the Case of Leonardo's Madonna of the Yarnwinder', for The Journal of Medieval and Renaissance Studies, XXIV, 1994, pp.259-74. Kemp, M., 'The Historian as Connoisseur' in edition of A.E. Popham, The Drawings of Leonardo da Vinci, ed. M. Kemp, London, 1994. Kemp, M., 'Leonardo's Drawings for "Il Cavallo del Duca Francesco di Bronzo": The Programme of Research', Leonardo da Vinci's Sforza Monument Horse: The Art and the Engineering, ed. D. Cole Ahl, Cranbury (NJ), 1995. Kemp, M., Leonardo da Vinci, 1996, CD-ROM for Corbis, Seattle, overall consultant, general editor, part-author and part-presenter. Kemp, M., 'The Body of the Earth', Leonardo da Vinci. Codex Leicester, ed. C. Farago, American Museum of Natural History, New York, 1996, pp. 15-22; in German as 'Der Körper der Erde', Der Codex Leicester, Haus der Kunst, Munich, 1999, 33-46 (also translated into Portugese). Kemp, M., 'Leonardo's Fossils', Natural History, CV, 11, 1996, pp. 14-15. Kemp, M., 'The Reign of Vanities', A Cloudburst of Material Possessions. A Fantasy on a Drawing by Leonardo da Vinci, exhibition guide, Purdy Hicks Gallery, London, 1997. Kemp, M., 'Leonardo-Beuys: the Notebook as Experimental Field', for volume on Joseph Beuys. Drawings after the Madrid Codices of Leonardo da Vinci, ed. L. Cooke and K. Kelly, DIA Centre, New York; in German as "Leonardo-Beuys: das Skizzenbuch also Experimenterfield', Jospeh Beuys. Zeichnungen zu den beiden wiederentdeckten Skizzenbüchen "Codex Madris" von Leonardo da Vinci, Richter Verlag, Düsseldorf, 1988 and 1998, pp. 31-8. Kemp, M., 16 Essays republished in Leonardo da Vinci. Selected Scholarship, ed. C. Farago, 5 vols., New York and London, 1999: vol I: 'Leonardo da Vinci' (from Dictionary of Art), pp. 40-60; 'List of Dates' (with Kenneth Clark), pp. 61-5). vol II: 'From Scientific examination to the Renaissance Market: The Case of Leonardo da Vinci's Madonna of the Yarnwinder', pp. 97-113. 'Leonardo and the Space of the Sculptor' (Lettura Vinciana in English), pp. 237-63; 'Christo Fanciullo', pp. 303-14; 'Leonardo da Vinci: Science and the Poetic Impulse', pp. 430-449. vol. III: 'Leonardo verso 1500', pp. 23-32' 'Leonardo's Leda and the Blevedere River-Gods: Roman Sources and a New Chronology', pp. 168-80; 'Late Leonardo: Problems and Implications', pp. 382-90. vol. IV: 'Leonardo and the Visual Pyramid', pp. 96-118; 'In the Beholder's Eye: Leonardol and the "Errors of Sight" in Theory and Practice', pp. 123-135; '"Il concetto dell'anima" in Leonardo's Early Skull Studies', pp. 205-29; 'Dissection and Divinity in Leonardo's Late Anatomies', pp. 230-65; 'Analogy and Observation in the Codex Hammer', pp. 345-77. vol. V: 'The Crisis of Received Wisdom in Leonardo's Late Thought', pp. 81-96; '"A Chaos of Intellegence": Leonardo's "Traité" the the Perspective Wars at the Académie Royale', pp. 389-400. Kemp, M., 'In Praise of Model making; from Leonardo to Beuys', Demarco: On the Road to Meikle Segie, Kingston University, 2000, pp.14-18. Kenney, D. C. and D. Maffia The undiscovered notebook of Leonardo da Vinci. Kettner, F. (1940). Leonardo da Vinci : the biosopher. New York, The Biosophical Institute. Kettner, F. (1940). Leonardo da Vinci, the biosopher, by Frederick Kettner, The Biosophical institute. Kettner, F. and Burndy Library (1940). Leonardo da Vinci : the biosopher. New York, Published by the Biosophical Institute. Khérumian, R. (1952). Léonard de Vinci et les mystères, G. Nizet; diffusion par la Sélection de Livre. Kim, Y.-h. and U.-g. Yi (1989). Dabinch*i. S*oul T**ukpy*olsi, Kyoyuk Munhwasa. King, C. (1972). Florence : Iconography ; Artistic status ; Leonardo. [Bletchley, Eng.], Open University Pr. Kinney, H. (1953). The Last Supper of Leonardo da Vinci : an account of its re-creation by Lumen Martin Winter. New York, Coward-McCann. Kinney, H. and L. M. Winter (1953). The Last Supper of Leonardo da Vinci, an account of the re-creation, Coward-McCann. Klaiber, H. (1907). Leonardostudien. Strassburg, J. H. Ed. Heitz. Klaiber, H. and Leonardo (1907). Leonardostudien. Strassburg, J. H. Ed. Heitz (Heitz & Mündel). Klebs, A. C. (1916). Leonardo da Vinci and his anatomical studies. Klebs, A. C. (1916). Leonardo da Vinci, 1452-1519; his scientific research, with particular reference to his investigations of the vascular system, Jamaica printing company. Klein, G. (1906). Geburtshilfliche und gynäkologisch-anatomische Abbildungen des 15. und 16. Jahrhunderts. (Leonardo da Vinci, Vesal, Roesslin.). Klingsor, T. (1930). Léonard de Vinci. Paris, Rieder. Knapp, F. and Leonardo (1938). Leonardo da Vinci. Leipzig, Velhagen & Klasing. Knox, R. (1852). Great artists and great anatomists; a biographical and philosophical study, J. Van Voorst. Kokuritsu Kagaku Hakubutsukan Tokyo., V. Leonardo da, et al. (1974). Kagakusha Reonarudo da Binchi ten. *Kolav, A., A. Kats, et al. (1952). Le*onardo Dah *Vints'i : ha-yotser*vi-yetsirato, ha-adam *ve-*olamo. Tel Aviv, Masadah. Kolb, E. (1952). Leonardo da *Vints'i. Tel Aviv, Masadah. Konigsburg, E. L. (1998). The second Mrs. Giaconda. New York, Aladdin Books. Relates, from the point of view of his servant Salai, how Leonardo da Vinci came to paint the Mona Lisa. Konstantinova, A. (1907). Die Entwickelung des Madonnentypus bei Leonardo da Vinci, J. H. Ed. Heitz (Heitz & Mündel). Konstantinowa, A. (1907). Die Entwickelung des Madonnentypus bei Leonardo da Vinci. Strassburg, J. H. Ed. Heitz. Kornell, M. N. and London Univ. (GB). (1992). Artists and the study of anatomy in sixteenth-century Italy. Koyré, A. (1994). Leonardo, Pascal und die Entwicklung der kosmologischen Wissenschaft. Berlin, K. Wagenbach. Krom, M. A. (1980). A study of the silverpoint drawing of "The head of a woman" presently attributed to a follower of Leonardo da Vinci. Kubo, H. (1999). Ky*uteijin reonarudo da binchi. T*oky*o, Heibonsha. Kuhn, J. (1948). Die Darstellung des Abendmahls im Wandel der Zeiten. Leonardo da Vinci, Columban-Verlag. Kühn, J. (1948). Die Darstellung des Abendmahls im Wandel der Zeiten; Leonardo da Vinci, Columban-Verlag. Kühner, H., G. Castelfranco, et al. (1954). Leonardo (da Vinci): Leonardo. Zürich, Fretz & Wasmuth. Kunsthalle Basel. (1977). Panamarenko : Flugobjekte und Zeichnungen. Arnold Böcklin, Leonardo da Vinci, Wladimir Tatlin : Flugmodelle, Pläne und Fotos : Kunsthalle Basel, 11. Juni bis 11. September 1977. Basel, Die Kunsthalle. Kunsthalle Basel., W. v. Mutzenbecher, et al. (1977). Panamarenko : Flugobjekte und Zeichnungen ; Arnold Böcklin, Leonardo da Vinci, Wladimir Tatlin: Flugmodelle, Pläne und Fotos. Basel, The Museum. Kustodieva, T. K. and Gosudarstvenny*i *Ermitazh (Russia) (1998). Proizvedeni*i*a shkoly Leonardo da Vinchi v sobranii *Ermitazha. Sankt-Peterburg, Slavi*i*a. Kwakkelstein, M. W. (1988). Leonardo da Vinci en de fysionomie. Rotterdam, Slootweg & Tromp Meesters. Kwakkelstein, M. W. (1994). Leonardo da Vinci as a physiognomist : theory and drawing practice. Leiden, Primavera Pers. Kwiatkowski, K. (1955). La dame a l'hermine de Leonardo da Vinci étude technologique. Wroc*aw, Éditions Ossolineum. Kwiatkowski, K. (1955). "La Dame à l'hermine" de Leonardo da Vinci étude technologique. [Traduit du polonais part Zygmunt Glinka], Éditions "Ossolineum ". Kwiatkowski, K., Leonardo, et al. (1955). "La dame à l'hermine" de Leonardo da Vinci : étude technologique. Wroc*aw, Éditions Ossolineum.